Jump to content

Recommended Posts

Hello everyone, I am back, this is my new piece, hope you like it.

Edited by cloud10000
for some adjustment
MP3
0:00
0:00
PDF
Link to comment
Share on other sites

The best for me is the use of quartal/quintal harmonies, sometimes changing to triadic.

It's amazing to see many scores, the complex they can be. When we write this sort of things, we must be careful. Sometimes I think an indication of what hand is doing what is welcome. For example, the figure in the bottom in measures 12-13, is it supposed to be played by the right hand?.... a huge crossing. The same happens in m. 41-42, which seems very difficult with left hand tremolando and the right hand crossing to play octaves. Is it possible a tremolando in octaves with one hand in m. 46-47? I don't think m. 83 is possible at that speed, with the octaves and the right hand crossing.

Perhaps there is another way to play those parts...

Regarding the music, I like it a lot. Since the piece is long enough, I would have inserted a section with other type of harmonie.

Interesting, in summary.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...