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Found 41 results

  1. There is my 3-part fugue in G major. What do you think? EDIT: I finally composed a short prelude
  2. These are a set of five preludes for the piano that I wrote, so they are relatively short. Keep in mind, this is the musescore render of it, so it's missing a lot of expression and musicality. Looking for feedback on them. Thank you!
  3. Hello everyone, I am back, this is my new piece, hope you like it.
  4. ICO (in chronological order) Composition completed on 11/06/2015 You also can watch this piece here -
  5. Trying to write happier pieces as most of my stuff is depressing. Problem is I find it just sounds cheesy when I attempt it. This is one I finished today.
  6. this is my new piece , hope your commentation @Luis Hernández
  7. This is a set of preludes I composed and recorded for the piano, and the set tells the narrative of a maritime journey, detailing the calm sea, the time spent on the ship, the lighthouse on land, the seabirds, and finally the port. I made these pieces the bulk of my newest album, and it can be found here. Thanks, and let me know what you think.
  8. this is my new piece, hope you like it.
  9. Usually, I don't like working on fuges. Although I love counterpoint, and use it all the time, so many rules are not what I like most. So, I wrote this piece using different classic modes, which provide more freedom. FUGA MODAL Partitura completa.pdf FUGA MODAL.mp3
  10. Hello everyone, I am back, this is my new piece of music, hope you like it and welcome your commentation.
  11. This is the piece I newly composed, hope you like it.
  12. Hello everyone, I'm back, this is the piece I newly composed, hope you like it.
  13. Hello everyone, this is the piece I newly composed, it depicts the mental state of a psychotic, hope you like it, and @Luis Hernández welcome your commentation.
  14. Hello everyone, I am back, this is my new piece, hope you like it.
  15. Hello everyone, I am back, this is my new piece of music, hope you like it.
  16. Hi everyone! Here's my very first finished piano composition: Prelude no. 1 in G minor (named "Psiche"). I know there are some parts that sound bad...I'm still working to fix them. Hope you like it, but still...any suggestion or criticism is very appreciated!
  17. Hello everyone, I'm back, this is the piece I newly composed, hope you like it
  18. This prelude in c minor is part of my endeavour to write a small collection of six preludes in various imitative styles. It follows a more associative development typical for imitative-figurative preludes of baroque music and is heavily indebted to this article by Vasili Byros, “Prelude on a Partimento” (http://www.mtosmt.org/issues/mto.15.21.3/mto.15.21.3.byros.html). However, this prelude is not based on a partimento but on a simple plan I devised myself. The score still needs some improvement, but should be readable. As this prelude has a really baroque feeling, I opted to use a harpsichord soundfont, “Petit Italien“ from Soni Musicae. (see: http://sonimusicae.free.fr/petititalien.html ) Critique and other comments as always welcome!
  19. Prelude.mp3 Prelude.pdf A short prelude for marimba and flute.
  20. Hello fellow composers, I was recently afforded the opportunity to perform a recital of my own works and decided afterwards to record a couple of them in a home setting. This is a collection of relatively brief solo piano preludes. It's a rather unusual work for me, as I generally tend towards longer, more developed chamber music. These are more like independent, fleeting ideas. This collection moves chromatically from C through B, alternating between major and minor. The musical style would be right at home in the 19th century, which is the period of music that I most appreciate. My personal musical preferences definitely lie with the conservative branch of that period, and my writing reflects that. Unfortunately, I am not comfortable sharing the score. It's not that I don't trust the established members of this community, but rather that I don't trust making my scores available to anyone in the world at a time when the work has not been performed far enough afield to prove beyond a doubt that it is my work. After having a colleague be forced to go to court to deal with a music thief, I am not willing to endure the stress and expense of doing it as well. My apologies to those who would have liked to see it. If only we lived in a world where everyone was honest.
  21. In my ongoing project of composing six small preludes, this one was very difficult to write for me and I am not very satisfied with the result. Basically, it is a canon from measures 1-11 with the upper voice leading, and and then a canon from measures 12-30 with the lower voice leading. M. 1-6 and 12-17 are virtually identical with the voices just exchanged and once in the tonic, then in the dominant (double counterpoint). The tonal plan is C Major -> G Major -> e minor -> G Major -> C Major. Very simple, but it was a new experience for me to change keys in a canon. I wanted to compose it with a hint of moto perpetuo movements, but this didn’t work out. So, without further ado, the prelude in its current state:
  22. I've been revising older works of late, particularly my earlier piano pieces. This is the third of a set of three pieces where each work emulates one of the major old style of Western Music (Baroque, Classical, Romantic). It's a someone free-wheeling, highly virtuosic work (I've been told that an earlier version may not have been playable which I've since tried to address) and is essentially a piano transcription of the ending of another work of mine for violin and orchestra. I recently acquired some nice piano sounds which I also tried out on this work (VI Labs Ravescroft 275). Score is attached but as always, it's a bit messy.
  23. To improve my skills, I am now in the process of writing a set of six small preludes for piano (or any other keyboard instrument with a range of four octaves) with a contrapuntal flavour. Four of them are somewhat finished, and one of them is this prelude in d minor that is planned as number 6 of the set. It has a rather simple structure that in the literature is sometimes described as reminding of simultaneous double fugues, because the main building block is a small subject and an fixed accompaniment in double counterpoint, quasi a countersubject. The subject and countersubject visit in a quasi-fugal way several keys; these visits are connected by sequences that use some material from the subject or countersubject, though sometimes the relationship is difficult to see or hear. I am still a bit unconvinced by the sequence connecting the subject in g minor and the reprise in d minor, but haven’t found a better solution. The same for the final cadence. Please feel free to comment, criticize etc.
  24. would like your feedback on this I want to publish this as a track it is an orchestra of strings
  25. This prelude was inspired by an autumn walk. Any kind of criticism is welcome! Prelude 1 Op.2.mp3
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