Luis Hernández Posted March 7, 2020 Share Posted March 7, 2020 Hi everybody. I think that "classic" atonalism (Schönberg's school) was not very fond of big orchestra. Other postonal styles yes (impressionism, Richard Straus for example). Well, in a context like Schönberg's music, how would you approach orchestral composition? I mean, the harmonic balance here is as important as in tonal music. When writing tonal music is not as hard for me writing straight for the orchestra. But with atonal settings I think it would be better to write a sketch first using the piano. How would you do it, or how do you do it? I would like to try something in this direction. Quote Link to comment Share on other sites More sharing options...
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