Georgios Posted October 3, 2020 Share Posted October 3, 2020 (edited) My teacher and I analysed different examples of Deceptive Cadences and how they are used structurally. I thought that I already knew a lot about it, but apparenlty there is much more to it. I find that very useful, so if you do too have a look here. https://www.piano-composer-teacher-london.co.uk/post/deceptive-cadence We are using terms from Caplin's Analyzing Classical Form: an Approach for the Classroom. P.S. I hope this is the correct forum to post it. Edited October 3, 2020 by Georgios Quote Link to comment Share on other sites More sharing options...
caters Posted October 10, 2020 Share Posted October 10, 2020 Uh, how is a motion to I6 a deceptive cadence? I myself would call that an IAC(Imperfect Authentic Cadence), specifically an Inverted IAC. Sure it implies further motion, but it's the tonic and there is still that circle of fifths motion type of feel with V7 -> I6. V7 -> iii on the other hand, I could see that as a deceptive cadence. Quote Link to comment Share on other sites More sharing options...
PeterthePapercomPoser Posted October 10, 2020 Share Posted October 10, 2020 @caters I am not entirely sure whether I6 here means a first inversion tonic or C E A (a first inversion submediant). Quote Link to comment Share on other sites More sharing options...
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