Piano score 282 and 283

Dear @hw1234,

For the piano 282, I love bar 8-9 most, since there is polyrhythm with the triplets against the quavers. The harmonic function is fulfilled here too. What I don't like is bar 10-17. It seems quite monotonous to have repeated notes in the right hand but no melody in the left hand. It would be better to use appreggios or broken chords in the right hand and add a melody to left hand.

For the piano 283, the G minor ending seems fortituous for me. You can prepare it better, at least you can add a dominant chord D major chord before the final G minor! Also, the left hand figuration can vary more, e.g. Alberti bass and broken chord, instead of repeated notes over!

Keep writing!

It's funny how , in a that short space of time two different sensations, can grow together. The first, 282, begins as a classical piece but the second part has a development that reminds of the 20th century.

Have you ever written a Theme and Variations? 

Try writing a theme (which from your plethora of posts, you clearly can do), and then write a set of variations mixing up different ways of executing the theme. 

Yes, this is a challenge