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I wrote this on my guitar. I'm a finger picker. The arrangement is a little rough around the edges but I don't really feel like cleaning it up.

The guitar part is very difficult to play in real life. I tried my best to transfer what my fingers were doing on the guitar into the Sonar 8.5 piano roll.

I used an acoustic guitar virtual instrument but some of the velocities (basically volumes) on certain notes were a bit loud and I was faced with the choice of having some notes stand out or stepping down one velocity level where the note could barely be heard. I chose loud. Ahhh, the fun we have with sampled instruments.

I searched the YC website to see if I posted it in the past and didn't find it, so I thought I'd go ahead and post it here, worts and all.

Enjoy.

-Rick

 

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Hi @epii,

As usual this is very enjoyable. Even if you keep saying you don't comprehend music theory, you compose better than many who know the theory. Your modulations are phenomenal and very natural and pleasing! The guitar is very comfortable to hear to. Your harmony usage is very mature and natural as well!

6 hours ago, epii said:

I searched the YC website to see if I'd posted it in the past and didn't find it, so I thought I'd go ahead and post it here, worts and all.

Haha you are welcome and thanks for doing this, really appreciated!❤️ Thanks for sharing again!!

Henry

 

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Henry,

Thanks. I do love to modulate my musical pieces away from the main key. I tend to get bored with my stuff if I don't break away from expected chords. I like being surprised with goofy twists and turns and hope the listener is surprised as well. It's fun and challenging to get lost in another key and then to try and find a way back to the original.

So thanks for appreciating that.

-Rick

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Most pleasant and relaxing. I've said before (Henry has also noticed) you're a natural for interesting harmonic progressions which you weave in out of seamlessly, sometimes remotely that others wouldn't dare. Indeed, how you get back to your home key has puzzled me a few times. You also have this sense of build up and climax (around 4'28" in this piece) until it moves into the long coda.

Everything is fine about balance and arrangement. It's as good as it might get on a commercial recording.

All the best, Dane.

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