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YCF Composition Competition - Halloween 2025 (Submission)


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Posted (edited)

I had NO Idea what to name this piece. But I've worked diligently on it, and I feel that it's as good as I'm able to make it. Really just shot for the Halloween/Spooky vibe with both the Instrumentation, key, and rhythmic inflections. Hope y'all enjoy my fun lil' sextet  quintet (sorry my brain wasn't all there when I posted this) piece 😉

 

Edited by UncleRed99
Edited score to correct voice leading issues mentioned by That Guy
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Posted

What a cool ensemble, having the bass clarinet and bassoon. I think you really hit the mark with instrument choices, I imagined a black cat walking a wooden fence with the full moon out. Very much a picturesque halloween piece, and you write so fast too! The balance of quirky parts (my favorite was the clarinet rhythm section at like 2:50) and lush UncleRed-type chordal figures with piano worked really well. 

Score looks good, some enharmonics issues (watch the leading tone) but definitely clean and neat. You're pretty good about your score editing, so nothing new there. 😄

6 hours ago, UncleRed99 said:

Hope y'all enjoy my fun lil' sextet piece

Quintet? 😛  

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Posted
4 hours ago, Thatguy v2.0 said:

What a cool ensemble, having the bass clarinet and bassoon. I think you really hit the mark with instrument choices, I imagined a black cat walking a wooden fence with the full moon out. Very much a picturesque halloween piece, and you write so fast too! The balance of quirky parts (my favorite was the clarinet rhythm section at like 2:50) and lush UncleRed-type chordal figures with piano worked really well. 

Score looks good, some enharmonics issues (watch the leading tone) but definitely clean and neat. You're pretty good about your score editing, so nothing new there. 😄

Quintet? 😛  

 

Yes, Quintet. I was discomboulated when I posted this xD Thanks

Also, I'm glad that I've left an impression with "unclered-type" chord figures xD I didn't realize I had a unique way of structuring chord voicings 😅

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Posted

Welp, we have a clear front-runner here. Man, this piece is almost flawless.

The only thing that comes to mind I could point out would be that the Segno could be better marked. It's not that the way most software and people usually do it is bad, but I myself found it's quite good (performer-wise, reader-wise and lastly it's a matter of tastes) to mark it with segno bars &/or a rectangle surrounding the segno symbol. Example here:
                             .image.png                                                                                          image.png

Just a suggestion.

The piece itself as I was sayin' was very enjoyable to me. It's fluid, its structure works, you know how to connect the dots very neatly. The instrument choice is very good as well. I like how you don't need to deviate from tonality to get the spooky feeling you. It reminds me of PvZ OST at times, and at other times, you remind me of another composer whose work I have listened to a lot, Paul F. Page. The instrument entries are very balanced, you're stepping into solid ground! 

What I liked the most though, the return to the segno al fine. It's seamless.

The score is alright, perfectly readable... Little I have found to be worth mentioning (I'm very sleepy though so my writing capabilities are diminished). Some overlaps here and there, misplaced dynamics due to software being stupid by default, but nothing else. 

Congratulations, UncleRed. My kudos. A long day awaits, may you sleep as well as this piece was enjoyed by my brain.

Kind regards!
 

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Posted

Hey Kyle @UncleRed99!

I am going to agree what @Omicronrg9 said wholeheartedly, as I enjoy this one very much. This one sounds very seamless in creating the spooky dancing mood of a Halloween in the fast sections. And this one has some sadness in it too. If an accordion (the main instrument of @Omicronrg9) is added in the score it can be a totally beautiful Spanish dance.

I really like the opening Andante section for its emotions. However, for a Halloween piece I think it's a bit too beautiful and tragic to be here! I may just cut the entire section out and have it developed as an individual piece, and start this piece right at rehearsal mark B! Or I will at least make the A section a bit more spooky to fit into the festival!

The B section is a wonderful mix of sadness, spookiness and a bit of fun with the dance rhythm. B.36 with the polyrhythm even weirdly reminds me of the first movement of Mahler's 2nd!! I absolutely love your usage of Bassoon and bass clarinet. They really enhance the grotesque mood of the piece. Beware of the Cb in b.40, they should be B natural. The C# in b.66 should be Db. 

Thx very much for sharing this wonderful piece to us Kyle!

P.S.

On 10/21/2025 at 5:45 PM, UncleRed99 said:

Hope y'all enjoy my fun lil' sextet  quintet (sorry my brain wasn't all there when I posted this) piece 😉

I am sure you brain flows into my own Sextet right? Say Yes!!!!!

Henry

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