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Edited Sunday at 08:25 AM2 days by interlect

HI there,

I truly appreciate your effort in writing an full orchestral version of this, However, I suggest you with string orchestra first! That way, you have constraint. You can still have a can still drum kit.

Next we need to address score prep (layout and engraving);

While you have the correct layout of the score, the notation is hard to read. Keep this in mind: you want the score to be polish as possible! Behind bars is excellent book. Berklee has a book, too! For instance, the piano part is impossible to read!

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Edited Sunday at 08:24 AM2 days by interlect

I would check out this out: The mist

and this: Waltz

Those only two pieces. There are other solo piano pieces on here. So stop now while you ahead. I have concert next week! Do you?

The output is fantastic, you did a great job with the production quality. But when you post in these forums though, please be mindful and respectful of other people's critiques or opinions. Unless you specifically tell us otherwise in your post, you are essentially inviting us to be critical. And @Kvothe 's observation about your sheet music is 100%. It's clear you sequenced this in some other program though, and it appears you are using MuseScore for the output of the sequenced output. This would explain the engraving issues.

With that said, the music itself, is beautiful! It instantly brings me back to the 80s!

Music sounds good, how do you produce your music? I noticed you transition from piano improvisation straight into MuseScore 4. When you're moving those ideas over, do you find yourself live-recording MIDI to capture the 'feel,' or are you manually inputting notes to keep the notation clean? I always struggle with how much human data to keep versus making it look perfect on the page.

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Edited Sunday at 08:23 AM2 days by interlect