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Found 2 results

  1. Hello ! Recently, reading the book of Caplin (Analysing classical form) evaded cadences caught my attention. I found amazing the effect you get by using this cadence in the right place. Do you use evaded cadences in your pieces? I started adding them consciously and I take (as usual...) Haydn and Mozart works as my references. Here a very useful to understand the evaded cadence: https://www.piano-composer-teacher-london.co.uk/post/evaded-cadences
  2. I experiment with embodiment of fragments of different music works by proposed by me new structure of musical note (http://www.youngcomposers.com/forum/t33636/the-new-structure-of-muscal-note/). I can by it to apply pitches from 24 TET Scale freely. Because of that I took the interest to Arabic music works. In particular I experimented with work of Ahmed Abdul Malik "Farah Alaiyna". I observed that the composer introduced micro tonal notes from 24 TET scale mostly in final cadences in oder to obtain to receive quatertone interval between 2 last notes of melody. It is interesting how useful may be analogous apply of microtonal notes in occidental music. I presented below 2 variants of the work's mp3 files which correspond its first 8 measures which include final cadence in 8 bar. First variant has in final cadence quartertone melody interval and second- common haftone one. I myself doesn't feel essential difference. For some reason the second mp3 file isn't upoaded .I try that later. If nothing came again from the try to upload mp3 file there is link: http://home.arcor.de/yuri.vilenkin/fara-10sept-5-micro.mp3 Greetings Yuri Vilenkin fara-10sept-5.mp3
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