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Hello ! Recently, reading the book of Caplin (Analysing classical form) evaded cadences caught my attention. I found amazing the effect you get by using this cadence in the right place. Do you use evaded cadences in your pieces? I started adding them consciously and I take (as usual...) Haydn and Mozart works as my references. Here a very useful to understand the evaded cadence: https://www.piano-composer-teacher-london.co.uk/post/evaded-cadences