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Found 2 results

  1. Hello again, friends. I've been in sort of a composing funk for the past few months, lots of life stressors and, really, an utter lack of motivation to blame. I was hoping to write something on a grander scale but I had to settle for solo piano once again. You know what they say: beggars can't be choosers. This is the opening prelude to what will likely become another suite for piano. It's written in harmonic language derived from non-heptatonic scales (my favorite, as some of you know by now), and, as such, may sound unpleasantly dissonant. The chords are quartal or quintal rather than triadic, and there's no sense of a home key. It can't quite be classifed as atonal, however, because the note pitches do play a functional role; it is probably best described as modal, which presents a listening experience unusual to ears familiar with tonal harmony. Nevertheless, I hope you find it enjoyable, or at least appreciable. Feedback and comments are always welcome (so are any questions you may have)! Please, enjoy!
  2. Hello, all! Here's my most recent composition. This is a more sonorous piano piece, less "dissonant" perhaps, though it's still based on the symmetrical scales of the prelude I posted recently. The title means "silver nocturne," and is intended to be liquid and smooth and placid, like rippling moonlight on a quiet lake. It will likely become incorporated as a "slow" movement into a larger work. The work features motivic, rather than thematic, development; you will notice the same motif weave in and out of the sections. Please let me know what you think of this. I'd love feedback of any kind! (This is a live recording so I do apologize for some of the choppiness in advance.) Happy listening!
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