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I set out to challenge myself with this particular work. As chromaticism is a strong component of my musical language -I decided to do away with it for this particular episode. The transitions are more seamless and are derived from fragments of the ending section (something I'm becoming fond of doing, to be honest). The score is a tad messy -but I'll provide a clean copy eventually.
Usually, I don't like working on fuges. Although I love counterpoint, and use it all the time, so many rules are not what I like most. So, I wrote this piece using different classic modes, which provide more freedom. FUGA MODAL Partitura completa.pdf FUGA MODAL.mp3
This is a short piece based on a nonatonic scale (which has no specific name): C - C# - D - E - F - F# - G - A - B The harmony comes from the combination of the notes of the scale, don't expect "normal" chords. Now I'm working in the second part of the "suite" using this scale.
Hi everyone , I have any question :) . Firstly my English is very bad. So I'm sorry . I'm composition student at university and I have scholarship but my class is preparation . My Professor and my friend says my compositions very good but I'm writing tonal music but I cant write contemporary music . example : I cant write Whole tone music or I cant write like Stravinsky . What can I do ? I want to write contemporary music , whole tone and like stravinsky . My Professor said that so early but my other Professor said that you can start contemporary . What can I do ? :) Thak you . I'm