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No, now that I listened, but then again, as much as I like Mahler, the Eighth is almost too big for Mahler.

Mahler's Eighth.

Please let me know your thoughts.

C Major is a nice clean key, ain't it? February, this year, 13 days. Sonata In C Major For Violin And Piano-1 Free Sheet Music by Robert C. Fox for Violin and Piano/Keyboard | Noteflight Sonata In C Major For Violin And Piano-2 Free Sheet Music by Robert C. Fox for Violin and Piano/Keyboard | Noteflight Sonata In C Major For Violin And Piano-3 Free Sheet Music by Robert C. Fox for Violin and Piano/Keyboard | Noteflight Sonata In C Major For Violin And Piano-4 Free Sheet Music by Robert C. Fox for Violin and Piano/Keyboard | Noteflight

Trio In A Minor For Violin, Clarinet, And Guitar-1 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Trio In A Minor For Violin, Clarinet, And Guitar-2 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Trio In A Minor For Violin, Clarinet, and Guitar-3 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight ...and a joke piece... Birds Like Minor Thirds-Interval Teaching Catch Free Sheet Music by W.A. Mozart, transcribed by Robert Fox, and the birds. for Various Instruments | Noteflight

Oops, not orchestral or large ensemble...forgive me, I'm new!

Quartet In A Major For Guitar And Strings-1 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Quartet In A Major For Guitar And Strings-2 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Quartet In A Major For Guitar And Strings-3 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Quartet In A Major For Guitar And Strings-4 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

Internet is dead; they do not like people seeing intellectual content. The Mewlips-Tone Poem for String Orchestra Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

String Quartet in D Minor-1 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight String Quartet In D Minor-2 Free Sheet Music by Robert C Fox for Various Instruments | Noteflight String Quartet In D Minor-3 Free Sheet Music by Robert C Fox for Various Instruments | Noteflight String Quartet In D Minor-4 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Wrote five, but this one is closest to a true string quartet. 2009.

Well, I meant I like YOUR compositions, but I like OP too! Anything Classical and minimalistic. with craft that is not so obvious!

No; two weeks ago: how time flies!

Chew on this, until I get an actual reply: Waltz in A Major Free Sheet Music by Robert C. Fox for Piano/Keyboard | Noteflight I simply LOVE A Major! And this was written a week ago or so, not in 1997-1998 like the symphony.

New here, and 56, so not a "young" composer, but I'm liking your music.

At least this site seems to be at least alive; a moderator seems to have removed my clumsy double-post, and I have a follower after 20 minutes! Glad you like my one and only symphony; too much work, I prefer chamber music, songs, piano pieces, etc...

Well, I'm 56 and not a young composer now, but I was 28-29 when I wrote this beast...

Symphony-Concerto In A Major For Electric Guitar And Orchestra-1 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Symphony-Concerto In A Major For Electric Guitar And Orchestra-2 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Symphony-Concerto In A Major For Electric Guitar And Orchestra-3 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Symphony-Concerto In A Major For Electric Guitar And Orchestra-4 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

@Henry Ng Tsz Kiu and I brainstormed a little bit about what I could write next to give me a small diversion from my giant variations project. We decided that I could write another microtonal piece. I have written microtonal inventions before, so now I tried my hand at a microtonal fugue. It's a 4-voice fugue for string quartet and I tried to very scarcely use the microtones, only opting for occasional microtonal passing tones and sub-minor 3rds here and there. Nonethless, I think the piece retains a different microtonal flavor to it, but let me know what you think! I'd appreciate any observations, suggestions, critiques or comments! Thanks for listening!

The structure is very clean, and it piece was easy for me to follow with just one listen. This sounds very late classical, early romantic to me, and some of your harmony reminds me of Chopin, esp at around 2:10 (and of course the ending as you state). The motif of the Asian Koel is a nice touch, and merging that call with the main theme was neat. Like always your key changing helps keep the piece moving along, and you always find a way to add in a splash of the pentatonic. I get Beethoven and Chopin vibes throughout, but you clearly use your own voice and direction, especially with the bird motif.

This is the second movement of my Violin Sonata in B flat major, commissioned by and dedicated to Arjuna Clark @expert21. It's a slow movement marked "A scene by a stream", as suggested by my dedicatee Arjuna. I chase for simplcity here and I really wanna let the violin sing here, and I think I succeed. I freaking love the opening melody! The use of ARJUNA motive is more sparing as I have to give it away to the beautiful main melody! The melody was inspired when I was having a walk through the beautiful scene of Golden Trumpet Tree! The audio is again made by @Thatguy v2.0! Here is the pdf and YT video of the movement: Violin Sonata in B-flat major 2nd mov.pdf This movement is simple, only in ternary form. Here is the structure of the movement: 0:00 1st Part. The melody is quite beautiful for me, even though it sounds like the main melody in Chopin's Grande Polonaise Brillante, and in the same key, which I realized only after finishing this much later. The piano accompaniment represents the stream. In 1:02 Piano takes turn to play the main melody and violin the countermelody. 1:57 2nd part. I reached my usual contemplative mood in the middle section. Then I was awoken by the hummings of Asian Koel in 2:19. That bird is very common in HK which many people find their hummings disturbing but I actually love. 3:43 3rd Part. First begins a false recapitulation in wrong key G-flat major, then a real recap in tonic key in 4:21, with the main melody gets along with the Asian Koel motive. I personally really love the climax in 5:00! 5:13 Coda. A little coda reminds me the coda of Chopin's Nocturne in E flat major, op.9 no.2. Here is the 1st movement's post on YC: P.S. Here is the sound of Asian Koel: And here are some pictures I have taken that day: Hope you enjoy and feel free to comment! Henry

Hi all! These are the three inner movements of my new piano partita. There is also an introductory movement and a final, stylized gigue. I had some difficulties in exporting a MIDI rendering for those two movements, so they are not included here. There are strong thematic and sectional connections across each movement, so they do make a little less sense this way than they would in full context. Just bear that in mind while listening. I'd love any thoughts on the music, the piece is for a good friend of mine and I'd like to give it to them in tip-top shape! PARTITA 2-4.pdf

Thanks Henry! If nothing else, this exercise helped me get more familiar with the range of electronic sounds available in MuseScore.

Thanks for reviewing @Henry Ng Tsz Kiu ! 🙂 Just because I like them and to create unity in the opus 🙂 Regards, Marc

Hi @Alex Weidmann! I don't find this one silly at all. I don't think the second part can be detached from the first; the first part is sparser with simpler timbre and rhythm, which is then pushed to the climax in the middle section when all instruments appear, and then at the end there's more variety on timbre and rhythm. It's just one developmental process for me. Thx for sharing your work and nice try! Henry

Hi to all! Here's another silly experiment I tried with electronic music. I was trying to see if I could write something musical just by copying and pasting a simple motif into different synth types available on MuseScore, and offsetting the rhythms slightly. Think the second half works better than the first; but I'll let you decide.