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Showing content with the highest reputation on 02/12/2013 in all areas

  1. I'll explain a little more. When I was in university, I took a fugue class and it was AMAAAAZING. Probably one of the best classes I've ever taken. I learned multitudes by just writing a fugue exposition and having it critiqued every week. I was hoping to duplicate the process here albeit with the internet hivemind. I'd hope this thread would NOT be a place where you feel like you have to stand for your fugue and defend it from criticism but just accept it and move on to the next one. Perhaps I should have started us off? Here's a wonky one I penned a few seconds ago: Regarding .fseventsd's fugue..... ...are you sure that in measure two you want a d flat in the alto voice and not a d natural? Same comment for the bass entry later on. Jncramer: Could the reason you're hearing all the entries in A flat be because he hasn't naturalized his d flat?

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