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I pray for the fingers of the pianist who attempts performing this piece lol. It is so fast. But the arpeggios are nice, but I feel as though the piece could benefit overall from a slower tempo. Your progression is very nice.

This is a nice piece! It would be great for students working on waltz patterns, since the melody, especially in the beginning section is more simplistic and repetitive so they can focus on the LH. However...I would love to see you develop that section a little more. Rhythm, the shape of your line, etc. Just for some variety so it's not so repetitive - repetition is good,but not to the point where listeners are no longer "surprised" by what they're hearing/what they might hear. Your B & C sections do a much better job of applying this - repetition without becoming TOO repetitive. Good job overall, keep composing! I would love to see how your work grows

Hi, TristanTheTristan, This music is enjoyable. It seems tough to play on the piano, but the rhythmic feel of the arpeggios is great. Personally, though, I felt the ending after 1:06 wasn't really necessary. It might feel more natural for a miniature if the arpeggios just slowed down to a smooth close. Overall, it’s a nice arpeggio miniature Best, Lithl.

Hello, PeterthePapercomPoser. This track is really nice. I did notice some clipping, especially around the 1:24 mark. As for the composition itself, it maintains a consistent atmosphere throughout, yet features unexpected twists that make it enjoyable to listen to. As a remake of a decade-old piece, I wonder if they composed it at a pretty young age? You may have already been skilled at composition back then. Best, Lithl.

Another wonderful piece!! I love the changes in character and how you developed the piece throughout, while still keeping a very cohesive sound. Well done! I really don't have any critiques, other than to edit the orientation to make it more suited for printing it and playing it.

@TristanTheTristan It's interesting that you would mention the influence of Prokefiev and Rachmaninoff on this one. It's certainly there with this one, but I don't feel like it shines through quite like it usually does--I take a lot of inspiration from the late 19th and early 20th century composers for most of my work, especially the Russian ones (I <3 Stravinsky).