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I'm impressed both by your light touch playing this, and the lack of scratching out on your handwritten copy. If I wrote that way, it would be all chaotic scribbled out former ideas. The interplay between your first and second sections works very well! A very satisfying piece to listen to!

Hi, today I come with a waltz haha. In this piece I wanted that 1-2-3 “waltz” sound in my own style. I composed this in a short period of time so I couldn't develop a variation of theme A. However, I like how it sounds. Someone who listens to the piece said it has a “distorted Beethoven sound” that is interesting haha; what do you think? I hope you enjoy c: Vals No.1.mp3 Vals No1.pdf

This is such nice music! Thanks for sharing 💜 This is such nice music! Thanks for sharing 💜

"Archeangel," is a Fractal Fugue developed from my website: www.atonalfugue.net The matrix is: [0,2,9,3,7,11,4,8,10,1,5,6] It's based on, Webern's Symphony, which has no transformations according to my theory of matrix modulation. It moves at 30 BPM, and follows Mason's rules of composition, albeit serialism, at that tempo. Attached is a complete analysis of the numbers. You can tell, according to the galactic harmonics, how much thought was put into that matrix. I Joke. However, looking at the analysis, there are some interesting inferences: 64. GALACTIC FREQUENCY ANALYSIS ▸ COSMIC ACOUSTIC SIGNATURES Milky Way Frequency Drift....... 0.9305 Andromeda Collision Sonic Reflection 0.5836 Dark Matter Interaction Tone.... 0.2100 Supernova Remnant Frequency Mapping 0.3495 Pulsar Waveform Analysis........ 0.9389 Black Hole Sonata............... 1.0000 Neutron Star Collision Harmonics 0.2377 Galactic Echo Sonification...... 0.6505 This is what I'm jamming on now. It's said that we are composing the very thing that the universe's materials encompass. It's only fair to analyze it as such, too. I mean, we don't have to agree - there is room for independence in what I have to offer in the website. So, what do the numbers mean? Numbers, are often static. When paired with music, the numbers become realized through motion. In this case, as each number permeates through a representation of music, the numbers become more viable. That's expensive to convey, and data intensive; I guess it just means that the numbers are a symphonic glade of information that is easier to ingest than learning about it. I hope it sounds good, in any case. Based on the acoustic signatures, I can conclude that there is a weak correlation to Dark Matter, but there is a strong correlation to Pulsar Waveform Analysis. I do like the idea of Galactic Echo Sonification, in my music too. I hope you have fun with the website, empowering your music, too. Archeangel.mp3 Archeangel.mid WebernSymphony_Analysis_AtonalFugue.pdf

"Ambience," is a saxophone feature. The score is attached if you want to attempt the song. Ambience.mp3 Ambience_AltoSaxophone_Harper.pdf

Yeah, but look at it like this. I copyright the music before entering it into AI. The AI creates a variation based on my music, therefore it is still mine. IDK, I try to make the AI music as identical to what I compose, too.

Hello @Vasilis Michael It is refreshing to see a binary sonata form. Binary was primarily used by baroque period composers before the proper form took off. In the A section, you would have your primary theme in tonic. Followed by contrasting B section in the Dominant. What makes binary stand out: the lack of transition between the two sections. Or maybe there is one(?) We can tell there are two major sections. One that repeats and one that follows after repeat of first section. Ergo. binary! I love how the main motive is used thorough out the entire piece. It moves so flawlessly. As usually, your writing is on par! I could not hear anything wrong. :)

Hi Tristan, This sounds very nice! I would suggest finding a different composition software to use, however. The spacing of the notes on the page is a bit all over the place, which makes this challenging to sight read. Musescore is a good free option that sorts that out for you automatically. I haven't used Vocaroo, but I understand it has some AI features for editing recordings?

Not normally, no. They are standard in our industry. The only time it would be broken is when you have a larger ensemble or other instrument combinations that are not standard. In this case, it’s not about orchestral order, it’s about highest-> lowest instrument for the layout.

Those are very different things. If I buy a hydraulic press and use it to flatten a stainless steel pipe, obviously I'm morally responsible for flattening the pipe. If that pipe belonged to someone else, I can hardly evade responsibility by saying, "Hey, it wasn't me! It was the hydraulic press!" On the other hand, it's equally obvious that I can't lay claim to flattening the pipe as a feat of strength. If I cry, "Behold my strength!" as I hold the flattened piece of steel aloft, I am quite rightly met with, "Uh... you didn't do that. The hydraulic press did."

𝕰.𝕬.𝕾. | 𝕰𝖑𝖊𝖈𝖙𝖗𝖔𝖓𝖎𝖈 𝕬𝖒𝖇𝖎𝖊𝖓𝖙 𝕾𝖕𝖆𝖈𝖊 𝟏+𝟐 French Ambient Electro.mp3 ELECTRONIC AMBIENT SPACE.mp3

Could I do a solo instrument? If that's the case, I might write for 4 mallet marimba and join! Nevermind... Any ideas for a percussion trio, anyone?