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This is wonderful (and I'm not just saying that because I love the piece 😆). I think you've retained the character of the original piece, without making it sound muddy or too heavy. Your doublings and overall orchestration choices seem calculated and well thought out. I think the few notation issues are an easy fix, and would make the score more readable. Good job 👏🏾

Thanks for taking the time to listen and for the feedback! I think you made some fair points that I'll definitely keep in mind for future pieces. Since this was my first attempt at writing in a larger form, I tried to keep things relatively simple while I focused on the structure. Might write a second movement for it eventually. Thanks again for valuable feedback @TristanTheTristan

Hello again, I decided to spend some time today to give more specific feedback. In this PDF are some annotations for you: H. Zheng - Dawn and Nightfall [ANNOTATED].pdf

Greetings all! I present here my latest orchestration of Rachmaninoff's beautiful and haunting Prelude in B minor. It's a rough score (as usual), with lots of slurs yet to be added, and flute division that needs sorting. Some of the notational issues come from the original piano midi I used as my source. E.g. The places where I have two crotchet triplets followed by a minim sextuplet. (Obviously four triplets would be preferable.) Also the strange tempo change to 80 bpm, and time signature change to 5/4. I will fix these; though it's going to take a lot of work, as I don't think there's an easy way to do batch conversion of tuplets in MuseScore. (Unless someone knows different?) The big bombastic chords in the piano original were quite awkward to deal with; but I realised I didn't need to match the piano rhythms exactly. All I really needed were pulsing chords of some kind: so that's what I've tried to create. I haven't been able to find any other orchestrations of this piece: so mine may be the first? Anyway hope you enjoy. rachmaninoff-prelude-in-b-minor-op-32-no-10 (orchestration) #47.mp3 rachmaninoff-prelude-in-b-minor-op-32-no-10 (orchestration) #47.pdf

Hello MinGry! I see that you have written a nice little piece, that i wouldn't describe as a sonatine. This is because a sonatine is Usually multi-movements Not ternary form, but instead Sonata-Allegro form, which has three distinct themes in the exposition, which goes from I-V (usually and you did that well) and also usually repeats. Then comes the development and reprise which you did well. You have a nice first theme, that actually seems to plain. The whole piece is basically just a mezzo-piano. You might have been able to develop the textures better by using more dynamics, and using more staccato maybe. You could have also had more layers of complexity. Good job on exploring a new style as a composer! Keep improving! Tristanthetristan

Hello everyone! I come to you with my first piece produced on my new Acer laptop that runs Musescore smoothly! I have taken the opportunity (before I always had a school chromebook so I couldn't do this) to download Cakewalk Sonar DAW which allows me to open all my old .wrk project files from back when I was using Cakewalk Home Studio over a decade ago. So, if you can't tell by the title, this is one of my juvenilia that I dug up from way back when I used to compose into the sequencer. Back from around 2008. I intended it to be a mix of styles between classical and jazz, hence the corny title 🤣. I use blues scales, extended harmony, altered chords and polychords - all in a way that is intended to be "classically jazzy". I hope you enjoy this piano trio and let me know what you think! Thanks for listening! Jazzical Piano Trio.mp3 Jazzical Piano Trio.pdf

Wow ty for the critique. Yeah I should definitely look into the silencing part.