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I like how it became more intense throughout the song. Cool.

Hi @JorgeDavid! Welcome back! I think the piece is very close to being done! It might be too easy a solution to you or end the piece too early but you could just make a C minor or major chord at the end after what you have right now and call it finished. Unless you see a way to extend the piece further and treat what you have right now as a double exposition of a larger form? Thanks for sharing!

Hi everyone! This is a more recent Gavotte that I composed in just the past week. It's for a string orchestra. Let me know what you think! I have a much longer and more challenging Gavotte in C in my archives that I composed years ago but that one is not finished yet. This one is a bit more modest in form and virtuosity. Any constructive feedback would be greatly appreciated!

Hello people! I was searching for some of my old music and found some dances I composed a long time ago in the sequencer (before I started writing on paper). I took the old midi of this minuet and imported it into MuseScore and tweaked it a little to make it look nicer. I am sure that this does not follow the traditional form meant for a minuet (binary) - I don't think I was trying to write in any particular form when I wrote this nor follow any particular rules in voice leading and counterpoint (so I am sure I break some rules such as the one about having melodic tritones). Let me know what you think! I wasn't planning on publishing this as I am currently working on something else but it took only a little of my time and I've never showed it to anyone before. Your comments and suggestions would be much appreciated!

I have several questions: How experienced you are as a composer? The answer would make me a lot of easier to comment this Sonatina. How come the flute part has zero dynamics, articulation and interpretation marks? Have you ever heard about the chromaticism in music? This Sonatina is more like a three-pack of sketches rather than an accomplished composition.