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Showing content with the highest reputation on 03/26/2026 in all areas

  1. Rachmaninoff? Look at my piano writing! Naw, I keep it simple. Great pianist/composers can write that "busy" stuff. Thank you for the compliment: I LOVE Rachmaninoff.
  2. Thanks for the comments! I must admit, nothing was intentional 😅. If I recreated a theme, then it was purely by coincidence. The most obvious one to me is the Mendelssohn D-minor Trio main theme. I didn't mean to use the same opening intervals, as I originally started this work at 1:00am and was just feeling the half-asleep burst of creativity do it's thing lol. I personally used Khachaturian as my basis in the Development section. It did only take me three days to finish and once I settled on the Rondo form, I admit I just took the easy way of CTRL+C. This said, It did give me inspiration to do more with the whole theme, and I did sketch out a way to make this a three movement suite. "A Suite for the Dead" would be the WiP title. When it comes time to ship the finished product, I would want to reorchestrate a majority of this work. To be honesty, the more I listen to it, while as catchy as it can be, it gets stale outside of the harmonic changes. The more I grow as a composer, the more I have the feeling I can do more with this work too. Thanks again for the comments and I would love to chat in more detail about it sometime.
  3. Hey @Alex Weidmann ! I love this orchestration - you've included lots of clever voice exchanges between the flute, oboe and clarinet that really create a kind of klangfarbenmelodie out of Mendelssohn's original piece. So great job there! I personally like your choices of pitched percussion in this piece - in my opinion the xylophone has too sharp of an attack and brings to mind Saint-Seans' usage in the Danse Macabre where it very effectively symbolizes the dancing of the skeletons and percussive effect of bones hitting the instrument instead of mallets. Vibraphone and glockenspiel are much more mellow and sparkly (respectively speaking) which I think is appropriate for this piece! Thanks for sharing!
  4. Hey @MichaelJohn ! What a harmonically rich, bittersweet piece! It's full of longing and emotion and full of tons of creative harmonic choices. The harmonic identity also seems kind of ambiguous to me. The piece clearly starts in D minor and that's corroborated by the key signature, but you end in F major which is a nice hopeful ending! But I actually feel that most of the piece is in G Dorian. Very interesting - and you use plenty of F add4 chords which I really love the flavor of as a kind of backdoor cadence into G minor. Thanks for sharing this gem and I am grateful that you managed to create a good looking score as I really was able to appreciate the piece much more and deeply with the score. Thanks again!
  5. Happy Birthday Free Sheet Music by Anon for Piano/Keyboard | Noteflight Your piece sounds interesting from a preliminary perusal...one would need a gun to make me write variations on Happy Birthday!🤣

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