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I added the following rule to the list: 4) Do not plagiarize other composers works or modify or use elements of another composer's compositions in your own works without permission and giving proper credit to the original composer.

Hello all. I had a really hard time figuring out what to do. I had a piece I wrote a while ago about Princess Tuvstarr and Skutt the Elk, where a geological formation called a tarn has an important role, but I decided I need to practice writing things for a deadline, so I needed some new idea. For those that don't know, I am ethnically largely Romanian (though I live in the US), so I settled on some Romanian landscape, and what better than the Carpathian Mountains! In fact, I had a drawing I made a while ago of a Romanian Shepherd (obviously as a furry, if you know me at all) in the mountains playing a Taragot - which sounds like a mix between an English Horn and a Soprano Saxophone. There's an old Romanian tale of a shepherd who lost his sheep, so I wrote this piece following that theme: a shepherd lamenting the loss of his sheep. Please enjoy :) Audio.mp3 Score.pdf

Hey Jonathon @ComposaBoi ! I like the part writing here and the Cor anglais is definitely better than oboe for presenting the Romanian mood, I think. The melodies are really memorable to me as well. I would say in terms of structure you could have introduced more contrast between in the middle sections, rather than just modulating and changing the modality to major. To me there's an imbalance of structure as you put the contrast solely at the end, which somewhat sounds less move forward. I would also say the tragic ending in b.81 is a bit abrupt to me. I like the passage itself but the preparation to it is not enough for me with only an accelerating bassline and suddenly modulates from a different key. I am nitpicky here probably because I listen to @ferrum.wav 's piece before yours, so sorry for that! I like your piece though even if my words are nitpicky! Thx for sharing! Henry No less you are a German. Very precise value 😗.

Hey @ferrum.wav ! To me this is the best entry in this competition. You show complete understanding on the idiomatic writing and as you said, "to squeeze and extract as much as possible out of them". All those techniques and tessitura are served for the narrative of your pieces here, rather than a mere meaningless show off of what you know. In the intro where you present theme 1, the tremolos of strings in their lowest register definitely presents the unsettledness of a lone (not sunken lol) ship, plus the syncopated triplets which adds to it. Like you and @chopin mention the whole tone scale which represents water much like Debussy would do, but the whole tone scale itself is a trouble maker to make the atmosphere even more terrifying with no resolution available for the scale. The timpani to me acts like heartbeat here just like what Mahler did in his 9th. As the tension grows the wonderfully virtuosic passage in b.21 doesn't only mean to show off, but to enhance the tension as quick as possible. The pizz./arco alternation and the open strings are really well used here, as well as the bouncing of bows for the violin. The high register accompaniment of piano really reminds me of water as well. I will also have to say, Theme 1 sounds very much like your anime music themes too, as I've just relistened your arrangement on the Your Reality song. The glissandos in b.69 really intensifies the tension with the fiery notes in piano, plus the double stoppings and fortissimo, which prepares well for the storm section, For the whole tone storm you definitely depict the scene very idiomatically with timpani and piano marcato, plus tremolos and bouncing bowings which develops what you've done in theme 1. Most importantly you have spacing here between beats and with polyrhythm, so each instruments can bombard in different times, that's why even though the music is very strong here it doesn't sound messy at all. Next in theme 2 you provide a really good contrast in all aspects. Harmonically and melodically it sounds like a folk dance with all those open fifths and quartal chords and lydian notes, rhythmically the syncopations and dancing rhythm. I like the high register horn melody in b.113. Again here sounds like anime music, tho with adventure theme. I like the quasi fugal transition after the climax too. Next I really love the abrupt end to the fugato. It sounds like the celebrating mood for minutes is just imagination and is futile and the protagonist is still hanging their lives on an almost sunken ship. I really love this ending section. The pizzicato just sounds so sarcastic, and then the artificial harmonics even more so. It almost reminds me the ending music in the Usual Suspect: Like what you've said writing a great piece is much more important than winning any competitions, even if it's a YC competition and I'm sabotaging my own status as a YC staff to reiterate that lol. Writing for a competition is a great way to inspire yourself to write good pieces, but to win it or not I will never care if I know I write a good one, even if it breaks laws or rules or so. Congrats on such an achievement! It's tough but it's all worthy, isn't it? Henry

Alright... I'll admit. Not my best work, but it's got it's own charm, I feel. I didn't have a ton of time to dedicate to this challenge, this time around. Long story...... Just the mix of the level of intensity my life is right now, and the difficulty in finding inspiration / motive to write something for this, made this one very challenging for me. I perservered because I value what this piece can teach me, moving forward, and what it might teach others who come across it. Well, here it is. "Warmth". (Composition based on the photo attached on the score's title page! I will also attach a copy to this post.) I wanted to depict the feeling of looking upon a rural homestead, and the "warmth" it brings to those who may call a place like this their home. So this is the image I went with :) Warmth.mp3 Warmth.pdf

I’ll look into it. Thanks.

Could this be address: 🎬 ★𝑴𝒂𝒔𝒐𝒏 𝑲𝒊𝒔𝒕𝒍𝒆𝒓 TRIBUTE | A Fire Within© - Orchestral and Large Ensemble - Young Composers Music Forum

Heya! Been a while since I've uploaded on here. I'm currently in the process of completing a stage 2 composition (Year 12) and am experiencing HUGE writers block. My assignment is to replicate the "feeling" of another song. Meaning: use elements from another composer/composition to incorporate into your own composition. I've decided to go down the track of making it Studio Ghibli themed. My main focus being either Totoro or Spirited Away. I know that I'm going to tell a story through my composition, starting calm, and then turning mischievous, thinking about the soot sprites running trouble. Would anyone be willing to give me some feedback/suggestions on the composition moving forward? Anything would be greatly appreciated. Thanks 😽 Stage 2 Composition NO.2 mp3.mp3 Stage 2 Composition NO.2.pdf

Hello @Josephine_Maccrimmon ! Welcome to the forum! Sorry for a late reply. I think the beginning of this sketch set up the mood well. You have many things you can do to move the composition forward. First is harmony. You are just staying in tonic D flat major in the passages presented. How about a half cadence and then modulates to a different key? Like, you can have a phrase ends on Ab major which is the dominant chord, and then start in a close key and then gets back to tonic Db major. You will already get some progress with this formula. Next is the instrumentation. You are using the flute as the melody carrier. What about the other instruments? You could easily switch roles with each of those instruments, for example having piano/oboe/quena playing the melody. Another thing is texture. What about changing the texture to a more polyphonic setting and invites more counterpoint? Also what about a contrasting section with different mood, tempo and key? These are all what you can consider for developing a piece! Henry

i have not taken any composition classes before and also the title of the piece is just a placeholder, the reason why it's called Fiesta is that that it's the name of the song the melody originated from (also if u cant tell, the audio is just extracted from musescore) any feedback would be appreciated! thanks for checking it out! advanced.mp3 advanced.pdf

Hello @PikapikaHei ! Welcome to the forum! To me actually the piano writing is idiomatic! The melodies are also good. For me it would be the structure of the piece. You are going for an ABABA structure which the A and B sections provide good contrast with each other with different mood, tempo and texture. I would suggest you adding more developments in each of the A and B sections after their initial presentation, rather than just changing keys. For example the recurring A sections you could have developed the melodies with variations rhythmically and texturally. Also, it would be great if there is an assimilation of the two sections at the end. However, this is a very good attempt especially from someone who has never attended a composition class, so props to it and keep writing! Henry

helloooo "The Voyage of a Lone Ship" is a piece for mixed quintet (violin, cello, horn, timpani, and piano). it is based on a sketch from the website youraislopbores.me*. i've asked a random person to draw a landscape for me to base my composition on and what i got is this sketch of a lone ship sailing on the sea under a starry night. the piece contains many different aspects that i try to portray: the lone night voyage, the shimmering star, the creaking wooden ship, the wavy sea, the exciting morning conundrum, and the night fall once more. *of note, youraislopbores.me is a website where real people can roleplay as an ai and answer/draw prompts from humans. people can also be the role of the humans and give the "ai(s)" (people who's roleplaying as ai(s)) many kinds of prompts. therefore, this artwork is not made by ai. a real anonymous person sketched my prompt and created the artwork below. this website is an act against ai art in general. im going to be honest, composing this piece was a tough journey. i had to rewrote the early sections so many times and my motivation keeps dwindling down day by day to finish this, but ive pulled through!!! i'd say there are many things that i'm not entirely satisfied with the piece, but it's in a good enough condition for me to post. also mightve gone overboard with the duration, oh well lmao enjoy the piece guysss The Voyage of a Lone Ship.mp3 The Voyage of A Lone Ship.pdf

im not that well versed in renaissance writing style (and instruments), but it does certainly sound like it. however, i do find it difficult to associate with the given landscape. i also think its hard to do originality since you chose a distinct style and has to follow the rules in order to sound like said style. nevertheless, i quite like the harmony and melody. they sound playful, especially on the 3/2 section. Melodies Themes Motives 7 Harmony Chords Textures 8 Form Development Structure Time 10 Originality Creativity 6 Score Presentation 9 Instrumentation Orchestration Playability 9 Execution of Given Challenge 6 Taste 6 Average Score: 7.62 end note: renaissance good

ALL Perfectionists think that way................so its not a Bad Thing I recognized your style with my eyes shut...................so consequently, your compositions have there own unique Identity. i wish you luck in the competition.

Hi Kyle @UncleRed99 ! This one is a completely contrast with @HoYin Cheung "s piece I have just heard, as this one is sparse in spacing for the whole piece and in a more homophonic style. Maybe you think this isn't your best work, but indeed this one falls into your general style, with sparseness, homophonic texture and sentimental melody just like Jonathon @ComposaBoi said. I like the simplicity of the piece like Mike @chopin does, but I would want some excitement in the middle climax of the piece. This piece has a clear structure and direction when both the beginning and the ending are serene, and between the climax is placed in the middle in b.40 and b.64 with a slight dip between, thus having the climax graph looking like a Bactrian Camel. I think in the climax you could have added more counterpoint to make the texture sounds more full to provide an even notable contrast with the general mood of the piece. Although, I would say for a 4 minute piece it would be perfectly fine to just stay calm and serene with a little bit excitement between which is the piece you present now. One scoring concern is the tremolo with a staccatissimo, e.g. in b.32, what does that mean? I think it would be clearer to just write out the two repeated notes with staccatissimo on both of them. I enjoy this piece, thx for sharing! Henry

Dear all, This is a short piece inspired by my trip last year with my girlfriend on a winter trip to Alishan at Taiwan, and we were visiting it in the afternoon. The photo is taken at the entrance of the Alishan visitor's zone. It is a place of high mountains with tall, spiritual trees, among which we travel with light railways and walked through the bridges. Being from a city with concretes, this jungle is particularly peaceful and you can always find the beauty of nature there. I have always been eager to write a piece as a diary of my visits, and it is a completely good time (the competition) for me to write one. Hope you all like it! HoYin Alishan for Flute Quintet.pdf

Hi @HoYin Cheung ! It's a nice piece for sure, the quartal/pentatonic harmony in the piece representing the Alishan landscape is well noted. The motives are clearly well organized and noticeable, Many nice use of polyrhythms to depict the vividness of the landscape too. Although I will have to agree with @ComposaBoi on the structure of the piece , as I too find the direction of the piece less compelling and moving forward. I think probably it's the less contrasting timbre and spacing of each passages makes the pieces less contrasting, The whole pieces sound contrapuntal to me which I think in some places you could have the flute act as the sole melodic carrier with a more homophonic texture, and minimize the amount of instruments staying as it's mostly 4 or 5 instruments playing, when you can have some passages having just 2 or 3 instruments, or even solo passages to create contrast in the "less is more" side. Or some passages there can be octave doubling instead of having all 5 instruments playing different lines all the time. Although those above are only my subjective opinion and I still enjoy your piece. Thx for sharing! Henry

That is outside of the purview of Young Composer's Forum. So, @MK_Piano will have to take that up with @interlect on their own.

After reviewing eight of eleven contributions to the contest, there are now three ones remaining which challenge me the most. That are the ones of @InstrumentalistElle , @BipolarComposer and @HoYin Cheung . The reason for this is that they have so much in common, both in terms of their qualities and their style and mood. Since my comments would hardly differ, I have decided to copy and paste passages verbatim, which I will therefore highlight in blue, while my individual thoughts are written in the standard color as usual. With your submission(s), you have presented compositions that best meet the expectations one might have given the “Landscapes-Soundscapes” challenge: Pieces that depict a landscape as a “still life”, utilizing every conceivable timbre of the instrumentation, blending, etc., to create true “program music”. When listening, one can easily imagine a scenery from the nature: clouds, trees, a quiet lake or sea, a sunset etc. All this has been executed very well. On the other hand, the piece(s) are sometimes hard to memorize because there is few or even no thematic material in the sense of a recurring melody that is developed throughout the piece, giving it its own unique and memorable character. In fact, to be honest, as I listened to them in a loop —which is exactly what I did during a walk to familiarize myself with all the submissions—I sometimes thought the next section was coming up in the first piece, when indeed the next one had already begun. So I could imagine that this kind of music would work well as “ambient music”, for example, a CD someone might listen to at night if they have trouble falling asleep. Melodies Themes Motives: The motivic or thematic material of the piece(s) is used primarily to create a „soundscape“ depicting the certain scenes or images, such as the clouds, trees, mountains etc. Beside that, I would consider the motif presented by the violins in mm. 13 as the central, recurring „tonal“ motif which does not contribute to the „soundscape“ but provides a subtle melodic background. Harmony Chords Textures: The harmonic language could be described as „atonal“ due to its rich dissonances. However, with the above mentioned melodic theme, it is also interspersed with passages of „tonality“. Form Development Structure Time: The composition is not in a specific traditional form, the different sections or passages could be considered as „episodes“ or different „pictures“ of the entire imagery, which is fine for a piece intended to portrait a certain scenary from the nature. Originality Creativity: The creativity and originality clearly arises from the way how the different motifs create „sound snippets“ which finally draw the „soundscape“. Unfortunately, that creativity and originality does not produce enough memorable impressions to ultimately create a sense of „uniqueness“, so the piece is less recognizable than it should be. Score Presentation: The score is easy to read with no engraving issues. For aesthetic reasons, I do not like the last page with only 2 bars which could have been avoided by a better distribution of the bars around all pages. Instrumentation Orchestration Playability: Possible playability problems concerning the multiple stops have already been discussed. Execution of Given Challenge: You have clearly mastered the challenge of the contest with excellence, creating an inner imagery for the listener with your „soundscape“ that depicts the „landscape“ as described by the posted picture. And the term “soundscape” perfectly captures the nature of the piece. Taste: It's very nice for relaxing, though I prefer music that focuses more on thematic material and form (perhaps that's why I'm more of a fan of the Baroque or Classical periods than the Romantic one). Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 7.5 8.5 8.5 7.5 9 8 10 6 Average Score: 8.125

After reviewing eight of eleven contributions to the contest, there are now three ones remaining which challenge me the most. That are the ones of @InstrumentalistElle , @BipolarComposer and @HoYin Cheung . The reason for this is that they have so much in common, both in terms of their qualities and their style and mood. Since my comments would hardly differ, I have decided to copy and paste passages verbatim, which I will therefore highlight in blue, while my individual thoughts are written in the standard color as usual. With your submission(s), you have presented compositions that best meet the expectations one might have given the “Landscapes-Soundscapes” challenge: Pieces that depict a landscape as a “still life”, utilizing every conceivable timbre of the instrumentation, blending, etc., to create true “program music”. When listening, one can easily imagine a scenery from the nature: clouds, trees, a quiet lake or sea, a sunset etc. All this has been executed very well. On the other hand, the piece(s) are sometimes hard to memorize because there is few or even no thematic material in the sense of a recurring melody that is developed throughout the piece, giving it its own unique and memorable character. In fact, to be honest, as I listened to them in a loop —which is exactly what I did during a walk to familiarize myself with all the submissions—I sometimes thought the next section was coming up in the first piece, when indeed the next one had already begun. So I could imagine that this kind of music would work well as “ambient music”, for example, a CD someone might listen to at night if they have trouble falling asleep. Melodies Themes Motives: The motivic or thematic material of the piece(s) is used primarily to create a „soundscape“ depicting the certain scenes or images, such as the clouds, trees, mountains etc. However, the motifs are pleasant and simple, thus producing an impression of a never ending melody. Harmony Chords Textures: The harmonies emphasize the tranquil character of the piece. There are no surprising modulations or tonality changes. Form Development Structure Time: The composition is not in a specific traditional form, the different sections or passages could be considered as „episodes“ or different „pictures“ of the entire imagery, which is fine for a piece intended to portrait a certain scenary from the nature. Originality Creativity: The creativity and originality clearly arises from the way how the different motifs create „sound snippets“ which finally draw the „soundscape“. While the somewhat repetitive character of the piece does not produce enough memorable impressions to ultimately create a sense of „uniqueness“, it is easy recognizable for its unique instrumentation. Score Presentation: The score is easy to read with no engraving issues. Instrumentation Orchestration Playability: The choice of instruments—the oboe and bassoon combined with the harp—gives the piece a mysterious and ethereal atmosphere that perfectly captures the image of a morning when a light mist hangs over a still lake. Execution of Given Challenge: You have clearly mastered the challenge of the contest with excellence, creating an inner imagery for the listener with your „soundscape“ that depicts the „landscape“ as described by the posted picture. And the term “soundscape” perfectly captures the nature of the piece. Taste: It's very nice for relaxing, though I prefer music that focuses more on thematic material and form (perhaps that's why I'm more of a fan of the Baroque or Classical periods than the Romantic one). Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8.5 7.5 8 7 9 9 10 6 Average Score: 8.125

After reviewing eight of eleven contributions to the contest, there are now three ones remaining which challenge me the most. That are the ones of @InstrumentalistElle , @BipolarComposer and @HoYin Cheung . The reason for this is that they have so much in common, both in terms of their qualities and their style and mood. Since my comments would hardly differ, I have decided to copy and paste passages verbatim, which I will therefore highlight in blue, while my individual thoughts are written in the standard color as usual. With your submission(s), you have presented compositions that best meet the expectations one might have given the “Landscapes-Soundscapes” challenge: Pieces that depict a landscape as a “still life”, utilizing every conceivable timbre of the instrumentation, blending, etc., to create true “program music”. When listening, one can easily imagine a scenery from the nature: clouds, trees, a quiet lake or sea, a sunset etc. All this has been executed very well. On the other hand, the piece(s) are sometimes hard to memorize because there is few or even no thematic material in the sense of a recurring melody that is developed throughout the piece, giving it its own unique and memorable character. In fact, to be honest, as I listened to them in a loop —which is exactly what I did during a walk to familiarize myself with all the submissions—I sometimes thought the next section was coming up in the first piece, when indeed the next one had already begun. So I could imagine that this kind of music would work well as “ambient music”, for example, a CD someone might listen to at night if they have trouble falling asleep. Melodies Themes Motives: The motivic or thematic material of the piece(s) is used primarily to create a „soundscape“ depicting the certain scenes or images, such as the clouds, trees, mountains etc. The development of the motifs does not create any melodies but ongoing sound structures which themselves produce an interesting progression. Harmony Chords Textures: The texture is amazing. Together with the dissonances, the piece – while being slow in pulse – creates scenes with constantly growing tension or, vice versa, release, thus having a very cinematic character. Form Development Structure Time: The composition is not in a specific traditional form, the different sections or passages could be considered as „episodes“ or different „pictures“ of the entire imagery, which is fine for a piece intended to portrait a certain scenary from the nature. Originality Creativity: The creativity and originality clearly arises from the way how the different motifs create „sound snippets“ which finally draw the „soundscape“. Even if there is no „melody“ – which usually makes it more difficult to memorize a piece – the entire impression based on its mysterious mood and timbre makes it unique. Score Presentation: The score is easy to read with no engraving issues. Instrumentation Orchestration Playability: You’ve mastered to evoke an astonishing colorfulness from the string quartet, particularly by applying natural and artificial harmonics and flageolets, whereas that might be challenging to perform. Execution of Given Challenge: You have clearly mastered the challenge of the contest with excellence, creating an inner imagery for the listener with your „soundscape“ that depicts the „landscape“ as described by the posted picture. And the term “soundscape” perfectly captures the nature of the piece. Taste: It's very nice for relaxing, though I prefer music that focuses more on thematic material and form (perhaps that's why I'm more of a fan of the Baroque or Classical periods than the Romantic one). Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 10 8 8 9 10 10 7 Average Score: 8.75

I apologize, I meant to respond to this part of your reply as well. You hit the nail on the head. "Warmth" isn't meant to portray the temperature of the surrounding landscape, rather, the warm feeling of entering the "home" space, or, as others would call it, your "sanctuary", a place of rest, safety, closeness to family... a place where you can be "you" unapologetically, without the judgement of the outside world. That kind of "warmth" :) -Unc

You'd be close, except, forget "tall" and forget "Muscular" I ain't that purdie 🤣 I'm 5'11", Hairy, and slightly pudgy, with some visible working man's biceps. That's about it, for my appearance. However, I've always thought about the contrast between my Burliness as a hairy mechanic & the sorrowful / meloncholic / emotionally charged theme of my original music scores to be quite humorous, myself 😅 I suppose my music can be percieved as a representation of all the things that I'm unable to say outloud, what with the social stigmas in the USA for Men that place an emphasis on refraining from expressing emotions, verbally, or through crying etc.. Music provides the outlet for some of those emotions that our society deems unacceptable for me to display. Anyhow. Thank you, Wieland, for your kind words and detailed feedback of my piece. As I stated before, I know that it isn't my most complex work... Life kept me from feeling the same desire & inspiration as I have before, while also preventing me from having much free time to actually work on the thing... I feel it could be so much better, but that's the best work I'm able to offer, at this current period of time, on short notice 😮‍💨 Thanks, again! -Unc

Thank you, sir I'm glad that you were able to enjoy that, despite it being a piece that, frankly, I had difficulty finding inspiration writing for... This was definitely difficult, to me, and I certainly feel like there could've been more done within it's current duration to elaborate on the overall consensus of the story the notation is trying to portray. Personally, I feel that it's a bit repetitive, with a couple of nuanced expressions of the original idea spread throughout... which is fine, technically, but makes for a less impactful story in the end. I just hope maybe others might think differently but I suppose that has yet to be seen and we'll know for sure as more members comment their thoughts here. Thanks for the feedback, and the kindness you've shown my work :) -Unc

Yes, you are correct. This is written for five percussionists and each set up is encompass in a bracket. Some instruments are mounted to racks and or mounted to the mallet percussion instrument. (assuming that there are mounting rails.) and that there are various tables for handheld instruments and other things.

Hi @BipolarComposer ! I really really enjoy the serene atmosphere portrayed by traditionally pastoral double reed instruments. The combination of them with harp definitely enhances the pastoral mood. The sparse spacing, rests and register really gives peace and thoughtfulness to the piece. One strange throught: I imagine the piece would be even more serene by having the bassoon played a Chinese Dong Xiao and oboe by an alto flute, as there are many lower register for the oboe which would sound unnecessarily strong with a low register oboe. Another thought is that, even I enjoy the serene mood very well, maybe you can invite some contrast in between, For example like @Kvothe suggests, you may write some passages with harp playing wider and stronger chords. Also to my observation, the bassoon never really plays its strong lower register which would make some more powerful passages. With more contrast the serene mood will sound more treasured to me. Thx for sharing! Henry

A FIRE WITHIN A RAILROADER MOVIE A Fire Within is a short film made solely in the video game, and railroad simulator, "Railroader," which released in December, 2023. Written by Mason Kistler in 2025, this story follows two friends, Sam and Andy, who work for the Southern Railway in the mid-20th century. Over the course of a few months, we see their relationship change and see their activities on the railroad. This project is an indie film, being produced for free and by the dedication of volunteers. It has an original story, sound design, voice cast, and soundtrack. It is something I have hinted at here on YCF, having shared two scores from the film; and it is a project I am very proud of. Now, I have come to share the results! Watch the Shortfilm here: https://www.youtube.com/watch?v=9Dk5nnrS1gw&t=843s Find the soundtrack here: https://open.spotify.com/album/5tJchNkg6fGUNrQs8oMHq2?si=7d9go3uQSbSMW7L6sDhZXg __________________________________ Unfortunately, due to my schedule and some travel arrangements, I am not able to share more of the scores for the Soundtrack at this time. You may find the two scores I have published for the film on my page. Thanks for viewing and I hope to see you all soon!