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To break up or conceal parallels by leaps, you would need a change of position of either chord, or a pause between chords or something else. In your example, the parallels are still there no matter where the G goes before sitting in B. Only marginally better than going to B through A by steps, because at least you introduce contrary motion. If the E-B fifth happen in a weak beat after the jump to C (a third beat in 3/4 or the fourth one in 4/4) it would be less conspicuous than if it happens in strong beat, more so if you move quickly to some other harmony right afterwards. You could also take further steps to hide the parallels, such as holding the top C where the G has jumped, while bottom C goes to E, and then resolve it down to B (parallels are still there, but a little less obvious). Also, you could hold the G on top, move bottom C up to E and then do the G to C to B. Or move G to C and at the same time C to E, hold E and move C to B (that would be like changing position of the first chord before hitting the next).