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@Austenite: Beautiful piece Austenite, I like those 6/8 rhythms during the coda. I'm glad you submitted an entry :) It seems we've got 4 entries (hope I didn't miss anybody). I'm going to print all the sheet music out tomorrow and review all of them carefully before making my decision. Thanks again for all the entries. They are all so different and beautiful in there own way. It will be a tough decision!

The question is whether or not he intended FM7 and just put F7 as a figured bass-type symbol without realizing the confusion that might be caused. If not, then the chord could simply be an occurance of passing tones. An incidental or embellishing-type chord. (F moves up by step, A, C, and Eb move down and voila! G major chord with the Eb as a chromatic passing tone from the E from the previous C dominant chord. Even though the C7 seems to point to the F as a functioning chord, the voice leading could derail our expectations and therefor make the movement to G viable.)