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Thank you so much Bjarke for the kind words. I agree with you and I understand why you were unsettled. This soundtrack was made like a movie trailer soundtrack where a lot needs to be said in a short time to capture the spectator while using a John Williams style. It follows a screenplay where the first 36 seconds shows the bad guy (The Phantom), personified by the clarinet, reaching to his fabulous vintage car in his garage and then drive at high speed to the remotely opened gate of his estate. At 0:36 Inspector Looso that was hiding in the forest close to the gate starts chasing The Phantom with his Citroen 2CV in the twisty roads of Lake Como as if he was Indiana Jones chasing for the lost diamond of whatever. At 1:09 Looso lose control of his scrafty car, fall in the ditch and the wheels are free wheeling while the car is upside down. At 1:22 The Phantom is not chased anymore and run free to his meeting with Mr. Moneybags leaving Inspector Looso in the ditch at 1:31. In this concept the clarinet represents the Phantom, The piano theme represents Inspector Looso and the theme borrowed from Luke Skywalker in Star War represents Looso’s youth dreams of being a space soldier (as described in “Inspector Looso's First Investigation”). The last two themes in this music are a developments of themes used in my orchestral series called “The Wacky Adventures of Inspector Looso”, which you can appreciate on SoundCloud. I want to thank you for your constructive and valid comments. I will try to apply your recommendations. In DAW I trust Syrel