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A four-part fugue exercise composed on a given subject, with no particular instrumentation in mind. Developing the subject contrapuntally wasn’t difficult, but after a while it became rather monotonous. The labels A1, A2, B1, etc. indicate the various fragments on which the episodes are built. (The slurs are only meant to highlight motifs for my own reference.)

@TristanTheTristan Thanks for the welcome! and thank you for taking the time of your day to check out my music! I really appreciate any feedback and looking forward to hear what you got say more! It's already been very interesting composing for multiple instruments my primary background is piano. I especially am blown away how much you can get away with modifying the motifs cause it feels like the instruments themselves can ground a motif pretty well.