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Showing content with the highest reputation on 07/09/2026 in all areas

  1. Amazing notes! Any I thought saying , you already posted!
  2. A friend of mine requested that I write something with a tuba part, so I wrote something centered around the tuba. A link to the score: https://musescore.com/user/118018538/scores/35329313 A Joke for Tubists.mp3
  3. @maestrowick Thank you for the specific feedback. I'm not surprised with your comment on the C-section; I thought the same thing, and I added or subtracted a quarter-note here or there to help it along, but I do understand that's fairly subtle at the listed tempo, and its repetitive structure does lead it towards sounding like those variations are inadequate when it comes to keeping it interesting. I haven't thought about the rest of the content of your comment prior to my posting, but I feel like there's some really helpful information in there. I am relatively new to writing orchestration after all. I'll keep posting and implement whatever I can!
  4. Hey! You can just write "Tuba." Tuba transpositions don't work the as other instruments. Bb, F, C, Eb tubas all read the same part. This instrumentation is different. Perhaps consider adding the French horn so you would have standard instrumentation with a tuba. Also, the tuba can do way more. Since you have it here, think about adding more rhythmic variety with the tuba (especially in the counterpoint section)/ You could give the tuba part to the clarinet, and then write a virtuosic part there. My 0.02/
  5. In general, you have some great ideas. I wonder at the end, perhaps the trumpet should play the opening theme in major to connect the end. Same with French horns. It would connect the ending with the beginning more.
  6. Hello again, I decided to spend some time today to give more specific feedback. In this PDF are some annotations for you: H. Zheng - Dawn and Nightfall [ANNOTATED].pdf

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