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Showing content with the highest reputation on 03/16/2026 in all areas

  1. Hello again! I just finished my comments and am eager to share. Please find this PDF for your convenience! Go to the end of the score to see the final comments. May anyone else on this thread also consider checking out the comments and share your thoughts! M. Neupauer - The Great Lighthouse (ANNOTATED).Pdf
    4 points
  2. I was listening to Beethoven’s Diabelli Variations again after quite some time, and I’ve become convinced that, personally, I believe it might be the greatest work ever written for the piano. It filled me with such excitement and inspiration that I sat down at the piano and wrote a variation of my own. Knowing the story behind this theme—that about fifty composers each wrote a variation on it—it felt like a great opportunity to test myself as well. Because of my enthusiasm, in a single sitting of about half an hour I improvised and came up with this charming figurational variation. I hope you enjoy it and appreciate it.
    2 points
  3. Hello Marek Please don't despair or feel Broken hearted, for trying hard to make a composition be appreciated, for being Special . It is appreciated and special , because its Totally Unique, your the one who created it. Medicine can taste Horrible, and make you feel ill, but in the Long-Term, it can actually help. and its the same with advice from those who are qualified to give it ,and without payment required, so thats a good thing. This is your First Post, and it was good, but MK's advice can also lead you to better things in future posts , so please don't be too despondent There's even greater scores for you to discover , in your future compositions. i wish you luck. MK.............. Im pleased your post was recognized by PeterthePapercomPoser!
    2 points
  4. First of all, I want to thank you for the review. - "diminuendo al niente" is exactly what I was looking for, thank you 🙂 Fixing this will be laborious, but relatively simple. - theme - I thought I had a theme, but apparently not, since several people, including you, have confirmed that they didn’t recognize it. This will be difficult to fix, as it disrupts the overall flow and feel of the piece. Actually, I’ll have to redo the whole thing. - accompaniment - This is my nightmare; I’m still struggling with it. Personally, I can’t stand whole notes anymore, but so far I haven’t been able to come up with anything interesting. In any case, thanks again, your review really helped me 🙂 Translated with DeepL.com (free version)
    2 points
  5. The beauty about music is that even simple things can sound complex or can be just as effective. Before you completely scrap your work (as we all know that is annoying to do), with the theme consider writing a 2-bar version, 4-bar version, and 8-bar version. You already have a motif or material to base from. You can do this separately on a manuscript or other file before the main work too. With the accompaniment parts: To Me, sometimes long sustains in the orchestra translate to when I use the sustain pedal on the piano. Where I take the long harmony I am sustaining from my improv and translate it to paper. The French Horns are great for gestures like this, or even simpler, the strings. (Bassoon + clarinets are good too!) Take whatever harmony, divide between the accompaniment instruments and just hit the harmony every few beats or on the beats. It’s probably the most basic way to pulse harmony.
    1 point
  6. In this case it was about orchestrating the sketch in the image; I might even make a collection of mini orchestral studies with these kinds of things.
    1 point
  7. Thirty years ago, I was an accordionist. Now I’m just a hobbyist. Feel free to leave any comments, they might not be so obvious to me 🙂
    1 point
  8. Yes you are right. I am in the process of writing more variations and have already released a Scherzo on 8 of these themes (I had to keep adding themes LoL). Thanks for your interest/comment!
    1 point
  9. Thanks Henry for pointing this out. @Churchcantor In your own words: So basically your posts so far could basically be summed up as "Haven't yet had the time nor mood to listen to it yet." I would rather hear what you might have to say about the music once you actually do listen to it, instead of posting 6 replies to my topic which don't discuss anything about the music. Before you replied, my topic had one reply by Chopin and was still on the "Works with Few Reviews" List. But now that you've cluttered the topic with meaningless posts, the topic is no longer on that list and is less likely to receive actual substantive reviews from the other members of the forum. There are places on the forum where you can post this kind of content though - such as in Off Topic - Journals. Or in the case of the Russian cartoon - either Random or Repertoire. Or you can tell your stories by posting status updates in your profile. But I think you are trashing the forum with the way you are currently using it.
    1 point
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