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Hi, thank you so much for listening to my composition, I really appreciate it! And I also appreciate that you took the time to check out my other works. As for plugins (VSTs), I usually tweak the very basic digital instruments available on MuseHub and try to get the most out of them 🙂

Hello, I listened to this piece, and to be honest, I really liked it. It’s a fun and captivating work to listen to. The structure has great dynamics, keeping it engaging throughout, you truly have wonderful composition skills. I also checked out your other works, and Five-minute pieces for violin and piano in particular is another fantastic piece, with music that flows like a river. Please continue to share your work in the future. I did notice a little bit of audio clipping at around 1:15 in this piece (Suite for clarinet, soprano saxophone and piano), but that doesn't really matter when compared to your composition. By the way, I would be really happy if you could tell me what plugins you are using. Thank you.

Hello everyone! How are you? I would like to share my latest composition with you. This time, it is a variation on an old Czech hymn "Vstalť jest této chvíle". I’d really appreciate it if you gave it a listen. Thank you! https://youtu.be/GESxy63t9HE?is=-6dZ675dvwSZbBlv

Hello, friends! How are you doing? I am happy to present my latest composition to you. This one is more challenging to listen to, full of contrasts and wildness that are typical for me, even though I try to incorporate a certain system into my music, which may not be obvious at first listen. Thank you to everyone who decides to support me by listening, and I wish you every success in your creative endeavors!

Thanks very much for your suggestions! I'm revising the score to make some of these fixes. The cello line is not really meant to be the main feature; I think of it more like a cantus firmus, and I prefer the familiar melody to be there more subtly. But I didn't write slurs into the cello part just to try to give it a little bit of detachment from the other parts. Not sure how well that works, but that was the idea. The two quarter rests in those measures you mention are because the a tempo comes only on the fourth beat of the measure. Thanks again!

I like the sparse atmosphere, and I think you developed the material in a creative way on the 4th page, cranking up the dissonance a bit. This has an exotic flair to it. It's got a chill vibe, but a potent flavor. Cool! Thanks for sharing!

Hi Nd, welcome to the forums! Do you happen to have a score of this? Interesting choice of piano, by the way. I'm not particularly fond of the way it attacks the notes that are outside of the high register but that's a more a matter of taste than anything else I will likely say in this message. I found some nice moments of calm in your piece, such as the section starting at ~1:10, or the section that preludes the end. Some others, such as the accelerando + pedal and the passage preceding it (1:35 and on, more or less) were not really my thing, they seem forced and for me, not in a good way. Question: did you publish the No.3, No.2 or No.1 here? Just out of curiosity. Best regards, Daniel–Ø.