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In my opinion, when the main theme starts, it should be in the trumpet. That spiritual style longs for a trumpet lead and if I were to continue the arrangement, I’d start in the trumpet versus woodwinds. Sort of, in a sultry way. With picking a spot to end, why try to tackle the whole piece? You experienced how the first reading session went. It’ll probably be under tempo, so pick a spot where the phrase feels conclusive. In my opinion, about one-minute, thirty seven seconds in (1:37 from the beginning) of the video, Price does a deceptive cadence in the third measure of the system. Instead, make it a PAC and resolve the piece before it goes into the developmental section. This is one suggestion and you can find more spots like this later in the work as more alternatives. So, you have options to pick from.

THIS IS OBVIOUSLY NOT AN ENTRY FOR THE SPRING COMPETION, LANDSCAPES. https://musescore.com/user/96214813/scores/33034298 This is my second nocturne, dedicated to a fellow student from Year 7. He is an extremely talented beginner thus able to play harder stuff. Moderato-Adagio, Db Major, 3 minutes 22 seconds, and 60 bars. Very short, for me. 5 pages of A4, March 23rd 2026-April 2nd 2026. It is in rondo form, with a cantabile theme. As always, my music is NOT AI Generated. The piece starts with the Submediant, a bombastic octave, here, going to un-resolve in to the V of the V. Then, it decides, to go on a weird cadence of that chord progression I have no idea how to describe because I was just chilling and I was like yes! That feel and what. So yeah. And then the dominant with the minor third thing. This rondo form is more like a ABACA type of thing, so yeah that is it bye.