Uhor
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Posts
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About Uhor
Uhor's Achievements
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I thought about the rain, it just so happens to have rained last night and your piece fits today's mood spectacularly? If you want to develop that streak further, look no other way than Takemitsu's Rain named pieces: Rain Tree for three percussionists, Rain spell for mixed ensemble, Rain coming for chamber orchestra, Garden rain for brass
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Love it!
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Reminds me of Disney, and of Delius' A Mass of Life: -
Concerto in C for Flute and Orchestra
Uhor replied to J. Lee Graham's topic in Orchestral and Large Ensemble
Haydn's is pale in comparison. -
So far it is very lovely in its Mozartian/early Beethoven ways. Perhaps the first movement I would not have made as long but tell that to the Eroica Symphony!. I'm also a sucker for lightweight farewell finales, it lifts the spirit.
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As a final composition before I consider myself 'too old' for this forum I composed this Medieval-Renaissance Kyrie of a Mass based on a Royal Gregorian Chant. The counterpoint emphasizes octaves, fifths, fourths and seconds, but it still prioratices independence of voices. Not perfect but hopefully interesting enough.
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Lovely and simple
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Sounds great at least for as much as what the title suggests. Jewish influence?
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@PeterthePapercomPoser Thank you for taking your time and that fantastic review!
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Concerto In E Minor for Guitar and String Orchestra
Uhor replied to Churchcantor's topic in Orchestral and Large Ensemble
Very NeoBaroque. -
Reminds me of Pärt's Cantus in Memoriam of Benjamin Britten, only that it ascends instead. Please consider adding metallic percussion for punctuation and/or harp for arpeggios too.
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String Sextet in G-flat major (My best work in my life up to date!)
Uhor replied to Henry Ng Tsz Kiu's topic in Chamber Music
I cannot help not hear the Dvorak in this. -
It took me days and hours but this poem is finally presentable. It's meant for a virtual orchestra, because its so huge. The literal poetic guide is in the description of the video, though it was written after-the-fact.
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The atmosphere is ripe. I cannot say no to bells. I expect further developments for the better as suggested above.
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Congrats! A bit like "If Sibelius had counterpoint chops".
