oboeducky

scraggy, did I miss this entire thread? AM I TOO LATE?!?!?!? :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[ :[

Thanks for all the advice. I think I will probably just go to the church and check out the organ. Experiment with sounds and stuff. :]

Heylo. I'm transcribing the Adagio from Bach's Easter Oratorio to organ from the string part. I was wondering if I need to specify anything about the stops for something like this, or if I should just let my organist handle it. Thanks. :]

I play the oboe (duh), and would LOVVVEEEEE to do this. :]

TANGLEWOOD TANGLEWOOD Interlochen?

they all suck. Whole tone scales, FTW

I'm glad this thread is prospering! :D

D minor is better. :whistling: You're such an oboe-geek. Why don't you play it?

THEY DON'T EXIST ahahahaha. wrong forum, btw

I'm biased towards the Chopin. it's so peppy :D

Here's a little article on LOL WUT before we begin: LOL WUT - Encyclopedia Dramatica Now it's up to you to suggest the most bizarre, random, stupid, and/or unexpected moment in music. Have fun :]

CANTINA BAND!

Here are my favorites: Birds and Butterflies of Paradise Fantasia for Theremin, Oboe, String Quartet, and Piano Oboe Concerto - 3rd Movement Viola Concerto - Premiere movement Trio for Flute, Cello, and Piano Symphony No. 4 The Greek Passion What I notice most about Martinů more-so than many other composers is his original style that is detectable in ALL of his public works. It's absolutely fascinating.

I think you may be more successful if you score this piece without flutes, except for the solo. A thinner orchestration if possible is usually more clean-sounding, and it might be problematic for you to balance the two flutes with the soloist. Also, the solo staff should go right above the strings.

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