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How far do your hands stretch?


firsty_ferret

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Just out of interest what interval can all of your hands stretch on a keyboard? I know it varies from instrument to instrument as to the width of the keys, but just as a rough guess for what you're comfortable at reaching whilst playing a piece?

I can stretch a 10th on the piano and an 11th on the organ comfortably.

What about you guys?

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this is really just a manhood contest isn't it?

haha yes: mines bigger than yours!

I can get a 10th quite nicely in the left, and a 10th not so easily in the right. but then again, i havent come across many pieces that require you to have to use a 10th in the right...unless its rachmaninoff...or a broken chord.

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You know most of the successful pianists had stubbly fingers except a few? Odd seeings all this people on here with such talons. And what's will all the people with unequal hands? That is plain odd to me. :blink:

On naturals I can easily reach a 10th in each hand, but an 11th ... just isn't gonna happen for me. I can also reach minor 10th in both hands for black keys and ALMOST the major 10th (Gb to Bb). I can reach minor 10th with one white key and one black key for both hands (eg. G and Bb or G# and B) but I can't make any of the major 10th (like A to C# or Ab to C)

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Brahms had huge hands too. As for me, ditto everything you said Enigmus. Except that my left hand also stretches a bit wider (that seems to be rather common. I wonder why?).

My left is smaller than my right, which is strange as the end of the little finger on my right hand is bent 45 degrees to the left, making it shorter lol

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This is making me curious. Not being a piano player, how unreasonable is it to write compositions that require someone to play an octave with one hand from time to time? I know I've done this in a couple pieces for drones to give them a little more force.

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This is making me curious. Not being a piano player, how unreasonable is it to write compositions that require someone to play an octave with one hand from time to time? I know I've done this in a couple pieces for drones to give them a little more force.

Octave? Perfectly fine. I can hardly imagine there being any pianists who can't play an octave--and if there is one, he or she would be having great trouble with most of the repertoire.

A ninth is also pretty safe to write and expect it to sound as written, I would say. When you get to a tenth (or larger) there will be many pianists who can't play it simultaneously, but they will simply play it as a very quick arpeggio, so as long as you're aware of this (and don't expect the unreasonable) these intervals are also fine.

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Octave? Perfectly fine. I can hardly imagine there being any pianists who can't play an octave--and if there is one, he or she would be having great trouble with most of the repertoire.

A ninth is also pretty safe to write and expect it to sound as written, I would say. When you get to a tenth (or larger) there will be many pianists who can't play it simultaneously, but they will simply play it as a very quick arpeggio, so as long as you're aware of this (and don't expect the unreasonable) these intervals are also fine.

Hm, I seemed to have made a mistake in reading this thread. For some reason I was reading everyone's reach as semitones (9 semitones, 11 semitones, etc.) even though I realized everyone was talking about intervals. Juxtapositions for the lose. Don't mind me.

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You know most of the successful pianists had stubbly fingers except a few? Odd seeings all this people on here with such talons. And what's will all the people with unequal hands? That is plain odd to me. :blink:

Geetar in my case, I think.

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