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Kyrie, Sanctus and Benedictus in Bflat


Mosel
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Again, please post scores if you can. From what I extracted, some of these weren't even in B-flat if that's more incentive. From what I could see there was a lot of cool classical writing in them, sticking to some traditional theory as well. Your melodies carried well and never seemed to stray to far from tonality, which was refreshing. While it was nice, the way it was written probably wasn't as you intended it (it said there was a 17/16 bar???). That may just be my program, but I need a little bit more here...

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Sorry! Here is the Kyrie, but in a manuscript version; there are a lot of things incomplete yet. ;-)

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