May 31, 20187 yr For any theory or choral nerds out there, I would really appreciate anyone looking over this piece looking for parallel 5th's, 8va's, etc. or incorrect dissonance treatment. I've wracked my brains enough on it, and I know I'm missing something. Thanks for any help or comments!
June 1, 20187 yr Nice work , Blaire. Here are the possible problems I saw. m8- harmonically sop and bass c to e. Not sure if the passing tones negate the parallel movement. this may or may not be. m28- alto and bass m29 into 30- alto bass m31 into 32- again alto bass. This may be another passing tone situation. My only other observation is regarding our time signature. You've notated cut time, could it be 4/2 instead? Again, very nice work. Hope this helps.
June 1, 20187 yr Author @tmarko Thank you so much! The 4/2 markd 2/2 is just for some reason common in Renaissance style. Even Brahms uses it in his Requiem (3rd movement). I think it's because the longa is being split in two, as opposed to the breve.
June 1, 20187 yr Author 1 hour ago, Luis Hernández said: Is it right C# in alto and C natural in tenor (measure 6) ? Yeah, it's a spicy little cross relation. 🙂
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