HtWinsor Posted May 21, 2023 Share Posted May 21, 2023 (edited) Any feedback?! Edited May 21, 2023 by HtWinsor MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu bagatelle_25 > next PDF bagatelle_25 Quote Link to comment Share on other sites More sharing options...
Luis Hernández Posted May 21, 2023 Share Posted May 21, 2023 This is more like a double sentence that can be developed. From my point of view what happens is that it rests a lot of time on the tonic, adding that the harmony is basic. When you have several elements in basic expression such as the harmony, the rhythmic pattern in eighth notes in arpeggio, then to make the piece stand out you have the melody. Which appears in a first part as pointed, without ornamentation, and in a second part based on scales. Curiously, without being conscious, you use as an ending a Cudworth cadence (used in the galant style, and which we have ingrained in our brains). In conclusion, perhaps it is a good start to, in repetition, generate alternative harmony and embellish the melodies. That's what I would do. Quote Link to comment Share on other sites More sharing options...
Henry Ng Tsz Kiu Posted May 21, 2023 Share Posted May 21, 2023 Hey @HtWinsor, Well this isn't even in F major! It's more in C major! As Luis said this is way too short! I'm not going to repeat what he said as I too have repeated many times! Henry Quote Link to comment Share on other sites More sharing options...
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