March 22, 20251 yr Hi @Luis Hernández, This one is very funny to listen to! Just notice a few things: the double flats in section G looks a bit scary to me haha, and there’s a parallel fifth in b.61 for the stretto. Nonetheless it’s craftily written and I like its light heartedness! I sep. like section E for a little spicier harmony. Thx for sharing! Henry
March 22, 20251 yr Author 2 hours ago, Henry Ng Tsz Kiu said: Hi @Luis Hernández, This one is very funny to listen to! Just notice a few things: the double flats in section G looks a bit scary to me haha, and there’s a parallel fifth in b.61 for the stretto. Nonetheless it’s craftily written and I like its light heartedness! I sep. like section E for a little spicier harmony. Thx for sharing! Henry About double flats... It's just the chord Eb dim7 = Eb - Gb - Bbb - Dbb
March 28, 20251 yr Very interesting work, Luis. Seems to have a lot of your harmonic language interspersed in there as well which makes it a good, captivating blend between the new and old. The orchestration also sounds quite clean and well judged; I especially like the harpsichord with it's rhythmic backdrop. Appreciate you going the extra mile and providing us with the chord labels.
March 28, 2025Mar 28 Author Thank you. I tried to do something for fun but also to practice a bit of basic orchestration etc.... When organising the piece what I did is to group the voices sometimes by registers (mixing timbres) and sometimes by orchestral families. Greetings.
May 7, 2025May 7 What a delightful piece! I especially like your oboe melody in bars 30-35, and the false ending on page 12. The alternation between arco and pizz in the strings is nice too.
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