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  1. Counterpoint is essential in my music (and it should be in general). I took some wonderful courses on counterpoint long ago, and they were essential in my personal musical development. I went into the idea of taking the basic concepts and use them in other styles. Fugue "a lo barroco" (baroque-style) is not my favourite field, but sometimes I do. it for fun, without that obsession about fifths and parallels, etc.... If it sounds good to me, it's OK. Three examples (the numbers is because they are part of a larger series): 08 Double Fugue in Ebm 11 Fugue in Fm (Doppo l'scu
  2. Below is my first attempt at a fugue written for two violins. as such it isn't a conventional fugue as there is voice swapping across the board and does not necessarily follow the conventional harmonic series as I didn't pay too much attention and wrote this in a couple hours. Enjoy.
  3. Hey one of my next projects is a 3 voiced Fugue for two violins. could someone give me a quick rundown on how effective double stopping is in violin writing. EG how easy or difficult it is to move scales in thirds fourth etc Great much appreciated.
  4. This is the first time that I improvised a fugue subject and multiple countersubjects and didn't immediately come across contrapuntal errors with my Check Harmony Rules plugin in Musescore. I haven't bothered to look more in depth though(like every note kind of depth). So there might be some errors that I missed. I want to resolve these before I move further with the fugue. As you can probably tell by the PDF file, I wrote this fugue exposition with the text of a Requiem in mind, specifically, the Introit, which is the first section of a Requiem mass. Augmented intervals, those most likely hav
  5. After a two-year hiatus, for the month of December I decided to go back working on this set of 26 minuets which I have been working on off from 2016 to 2017, and stopped in 2018 when I have other things to work on. Here's the status of the minuets as of April 2018: Anyway, after that and up till December, I have gained new musical knowledge and experiences which can be reflected in this new version of the set. More dynamics are added, the pitch range has also been expanded as well and incorporating other forms (Rondo and Sonata) into a few of the minuets as well. Many of the music
  6. Here is my contribution for the Christmas Event. Carol of the Bells is, by far, one of my favorite works. I just hope this fugue gives it justice.
  7. I am embarrassed that it took me a year to 'complete' two compositions (Obsidian and Voile d'automne). People in this forum wisely advised that I should 'lose my first hundred compositions quickly', so as to learn from my errors and move on. So this morning (Christmas eve) I determined to complete an albeit short composition in a day. Here it is, a simple fugue. I sketched the basic idea while out walking in a local wood, transcribed it when I arrived home, and developed it through the day. I hope that I have avoided orthographic issues, which have dogged much of my work to date. As the c
  8. I spent most sunday working on it and I think it to be decent enough for me to post it. Anyway, hope you enjoy it, here it is:
  9. There is my 3-part fugue in G major. What do you think? EDIT: I finally composed a short prelude
  10. I Like composing music for fun, but I am trying to learn how to compose Fugues like J.S. Bach. I have tried composing a few and I've been trying to learn how to have independent voices. I still need to perfect counterpoint and harmony and there may be too many consecutive fifths and octaves. Does anyone know how I can improve my fugue composing skills so this can actually be called a fugue? Ed's_Prelde_and_Fugue_in_A_major.pdf The audio for this score can be found here. https://musescore.com/user/10553021/scores/4692441
  11. I think this is a (proper) Fugue, but I would like confirmation, etc, fugue2?.mid
  12. My first proper attempt at writing something baroquey. I was wondering, what's the best way to describe this piece, academically speaking. Fughetta, Fugue, Double Fugue, Counter fugue?
  13. I've always wanted to try writing a piece for organ. Though he didn't write much for organ, I am a big fan of Mozart's organ music and in particular his Fantasy in F minor which inspired this work in terms of structure and the fugal subject which is similar, though otherwise I treated the sections very differently. It is generally organized as a chaconne-like theme and variations in pairs separated by two extended sections (a fugato and a more lyrical section). I had posted an unfinished version of this in the incomplete section and I greatly appreciated the feedback. I also plan to transc
  14. I was wondering about how to start writing a fugue? I understand they are hard to play, so is there a good process? I mean like composing in front of a piano kind of way. Help appreciated!
  15. This is a three voice fugue written for harpsichord. Let me know any thoughts you have about it. Thanks!
  16. There's not much to say about this piece, it is a three-part fugue with modest pretensions in that sweetest of keys, D minor. Like my canons the primary material is derived from encoded names in mod-7 form with free accidentals.
  17. I was going to copyright this piece but I don't really know if it's good enough to do that quite yet. I was looking for feedback on it so I can change it before it gets properly cemented the way it is. Specifically, the basic low strings part and the countersubject I wasn't sure how well they were implemented. Thanks a lot and enjoy!
  18. Hi! I researched fugues recently and decided to try my hand at creating one. I did also use a ground bass, introduced in the first four measures. Feedback about the development section would be helpful, as well as any mistakes I made in the subject section. Thanks! https://drive.google.com/open?id=0Bw9QZZ62AveGRFZ0U1J4QVZITDA
  19. Prelúdio e Fuga (SAT).mp3 This is a Prelude and Fugue for recorder trio (soprano, alto and tenor). I composed it for a trio (which was a quartet, but one person gave up) I would take part in, but then the whole group "ceased to exist" without a single rehearsal with everybody (= 3 people). The Prelude and Fugue continues to existe, but now without a concrete destiny. Hope you enjoy^^ OBS: I changed the VST to flutes because Garritan's recorder sound is a scream of pain from hell. OBS2: I didn't put dynamics, articulations or anything else because I'm lazy.
  20. Here is a short, one-minute exercise I wrote to prepare for the upcoming fugue competition. In general, I tried to keep it simple, sticking to the basics of the form (exposition, a couple of episodes, a short coda). As for counterpoint, it's really not my strong suit, so I tried to incorporate as much contrary motion as possible, especially between the cello and the upper instruments. I also tried to keep to the idea of dissonance on strong beats and consonance on weak beats as much as possible. I've never written a fugue before, and I'm sure there's plenty I did wrong, so any pointers or
  21. So, I'm reposting old stuff because they're somehow gone. This is one of them. Enjoy^^
  22. This is an edit I did to a piece I wrote for school. I wanted something a little more professional sounding and not so humorous. I added a prelude to the fugue to give it some length and more opportunity to show my writing. I plan to use this as part of my portfolio for college, so any suggestions are welcome. Doesn't have to be about the piece, could be about what else to include in the portfolio. Sheet music is also available to see any engraving issues. There's probably a lot.
  23. First and foremost; I do not know anything about string playing. As a result of such inadequacy, there are maybe some double stops (don't think triple stops) that are a bit hard to play. I've had a friend look at it, and I've had the string teacher at my school look at it. My friend the string teacher is convinced that it is almost definitively a college piece. I just wanted to write a fugue. P.s. The ending might be a little. inappropriate. it was meant to be funny but now that i look at it after the fact, I think I might implore a different last few bars.
  24. I'd ike to share this little fugue in 5 voices. FUGA 5.mp3 FUGA 5.pdf
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