Thatguy v2.0 Posted November 7 Posted November 7 Hello there! Before, I had the project in mind of writing 12 piano preludes, and that was just dandy. I don't know how consecutively I'll write more, but a few ideas have lingered lately so I figured I would dabble at it again. Here's a very short one in C, hope you enjoy! MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Prelude 13 Henry > next PDF Prelude No.13 - C - Full Score 2 Quote
HoYin Cheung Posted November 8 Posted November 8 Nostalgic vibe there. Do you think of the harmony first or melody? 3 Quote
Thatguy v2.0 Posted Monday at 03:50 PM Author Posted Monday at 03:50 PM On 11/8/2025 at 12:34 AM, HoYin Cheung said: Nostalgic vibe there. Do you think of the harmony first or melody? Thanks for checking this out! Depends on the idea, I don't have a formula. This time it was just about adding voices to an unchanging melody while keeping it very simple. Other times I build everything off of a harmonic progression. Sometimes a rhythmic cell is really interesting and it starts from there. But most importantly, I wish I had a better answer lol 1 Quote
Henry Ng Tsz Kiu Posted Tuesday at 01:01 AM Posted Tuesday at 01:01 AM Hey VInce, I like the simplistic style here and the smooth voice leading. I will make sure to try this on piano and record it. Henry 2 Quote
Thatguy v2.0 Posted Wednesday at 03:01 PM Author Posted Wednesday at 03:01 PM On 11/10/2025 at 7:01 PM, Henry Ng Tsz Kiu said: I will make sure to try this on piano and record it. Awesome Henry! I have a version with all the fingering if that helps 😛 Quote
Kvothe Posted Wednesday at 03:57 PM Posted Wednesday at 03:57 PM Morning @Thatguy v2.0 Here is mine review of the prelude: The overall structure is built is first on opening phrase. I love how you use this idea and expand on it. The anticipation of each chord of each phrase is nice resolution of the chromatic raising line. I think the implied harmonies: I-V/V-bII6-I. This now makes ask...why are we going from V/V to bII6? 🙂 The answer: this is not a typical resoultion of the seconary dom... 2 Quote
Thatguy v2.0 Posted Wednesday at 04:04 PM Author Posted Wednesday at 04:04 PM 5 minutes ago, Kvothe said: I think the implied harmonies: I-V/V-bII6-I. This now makes ask...why are we going from V/V to bII6? Which bars? 1 Quote
Kvothe Posted Wednesday at 05:07 PM Posted Wednesday at 05:07 PM 1 hour ago, Thatguy v2.0 said: Which bars? b2. I think. But b5 is not? 1 Quote
Thatguy v2.0 Posted Wednesday at 05:32 PM Author Posted Wednesday at 05:32 PM 15 minutes ago, Kvothe said: b2. I think. But b5 is not? Ah gotcha, thanks. The bII chord is throwing me off, you mean the Db one in b.9 (it has no 3rd)? Btw, I wrote this for two reasons, and one was tinkering with implied harmony. It's interesting to hear different interpretations of it. Thanks for checking this out 🙂 1 Quote
Kvothe Posted Wednesday at 05:37 PM Posted Wednesday at 05:37 PM 4 minutes ago, Thatguy v2.0 said: Ah gotcha, thanks. The bII chord is throwing me off, you mean the Db one in b.9 (it has no 3rd)? Btw, I wrote this for two reasons, and one was tinkering with implied harmony. It's interesting to hear different interpretations of it. Thanks for checking this out 🙂 You are welcome. 🙂 Quote
Henry Ng Tsz Kiu Posted yesterday at 01:24 AM Posted yesterday at 01:24 AM 10 hours ago, Thatguy v2.0 said: Awesome Henry! I have a version with all the fingering if that helps 😛 😆 I'm sure my big hands can get hold of them haha 1 Quote
PeterthePapercomPoser Posted yesterday at 05:56 AM Posted yesterday at 05:56 AM Hey Vince! Nice prelude! Does this mean you're just going to keep writing more of these periodically? It would be cool! I think the tonic 6/4 chord in the last bar makes me expect a V before resolving to the final chord. It's such a well worn norm in classical music to hear the I 6/4 either followed by a dominant or a cadenza. 13 hours ago, Kvothe said: I think the implied harmonies: I-V/V-bII6-I. This now makes ask...why are we going from V/V to bII6? 🙂 The answer: this is not a typical resoultion of the seconary dom... Considering that a V/V and bII6 are both pre-dominant function chords, I don't think it would be unusual to transition from one to the other, especially since the V/V can function as a tritone substitution of the bII. 12 hours ago, Kvothe said: b2. I think. But b5 is not? But there are no bII's in those bars. In bar 2, the implied chords are V/V, IV, ii7b5, with an anticipation of the return to the tonic in bar 3. Then in bar 5, there is a resolution to vi. The only place where a bII appears anywhere in this piece (as Vince mentioned) is in bar 9 beat 3 but it's in root position with the 3rd omitted. But thanks for sharing Vince! 2 Quote
Thatguy v2.0 Posted 16 hours ago Author Posted 16 hours ago 19 hours ago, PeterthePapercomPoser said: I think the tonic 6/4 chord in the last bar makes me expect a V before resolving to the final chord. No V for you sir Thanks for checking it out Peter! 😁 1 Quote
Thatguy v2.0 Posted 2 hours ago Author Posted 2 hours ago Updated with @Henry Ng Tsz Kiu's performance... thanks Henry! On 11/12/2025 at 11:56 PM, PeterthePapercomPoser said: Does this mean you're just going to keep writing more of these periodically? I think so! 1 Quote
Kvothe Posted 51 minutes ago Posted 51 minutes ago @Henry Ng Tsz Kiu I thoroughly enjoyed the performance! 🙂 Quote
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