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Found 2 results

  1. It's been awhile since I've posted anything to the forum, let alone really been active. Life is like that sometime. This work was born out of my own quarantine after being tested positive for Covid-19. While not exactly the main influence over the work -I'm sure it adds a little to it. The 3rd movement is close to how I envision it. I'm working on a revision to make it sound more coherent and complete. I'm not too excited about the ending -I think the material can be expanded some more. Just got to find the right way to do it. I present you my 4th Piano Sonata. Hope you enjoy!
  2. Saw an interesting comment in a post in the upload where someone was trying to describe their music in terms of whether they were 'neo-baroque' or not. So, figured it'd be an interesting discussion to be had -but... I don't want to just see a one word explanation of your music. So, I'll describe how I view my work -my language, my view, nada nada nada- and then you can follow suit. In other words, let's make this a valuable discussion. I consider my music to be chiefly modern. By that, I use a harmonic language rich in dissonance and outside of the traditional concepts of tonality (notice I didn't say my music was purely atonal). I do consider harmony and tonality to some degree -even in my more serial guided works. I also consider myself a neo-classicist. I strongly value form and tradition and believe staunchly in utilizing structure to make the most out of limited material (hence you'll see a lot of development and counterpoint within my works). I also, at times, borrow from other aesthetics and fuse different -often far separated- techniques together. It's not a fetch to see a whole tone derived section within a work of mine that is heavily centered on a serial row. Thus, you could say I'm a neo-classical modern eclectic.
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