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  1. I'm writing my fourth piano sonata and I have the exposition, but I don't know what to do in the development. I've been thinking about just doing the second theme in minor and then chromatically and dramatically transitioning back to the first theme, but I feel I could do more. Any ideas or suggestions would be great. Thanks. Piano_Sonata_no._4.mp3
  2. It's been awhile since I've posted anything to the forum, let alone really been active. Life is like that sometime. This work was born out of my own quarantine after being tested positive for Covid-19. While not exactly the main influence over the work -I'm sure it adds a little to it. The 3rd movement is close to how I envision it. I'm working on a revision to make it sound more coherent and complete. I'm not too excited about the ending -I think the material can be expanded some more. Just got to find the right way to do it. I present you my 4th Piano Sonata. Hope you enjoy!
  3. A concert overture I just recently finished about Snowdonia National Park, Wales (Eryri in Welsh), which I recently visited. Let me know what you think!
  4. First of all, hi! I'm new to this forum and I already forgot how I got here, but glad to be nonetheless! I tried to upload my two sonatas for piano in that software but the page gives me a 404 or takes forever to upload, sorry. I will upload the pdfs & mp3 files (computer tries, I am not good enough to play my own pieces sadly). Hope you find them decent enough, they are finished so I doubt I'll change anything but I am constantly trying to get some time and compose, thus any feedback will be appreciated for my future works whatever they be. For reference, they are my 42nd and 47th "minor works" (I label them like that when there are less than ~10 instruments). Some text is in spanish but it's not important in order to play the piece most of the times. I blame myself for the lack of digitation, as I do think some parts would need it. Without further ado, I leave you with them! Oh, and if anyone is eager to try it please let me know, I would love to hear a real person playing those. Kind regards, Daniel–Ømicrón. Sonata No. 1: First movement: Allegretto S1P,-01.mp3 Second movement: Moderato Spaventoso - Largo S1P,-02.mp3 Third Movement: Lento Maestoso S1P,-03.mp3 Sonata Nº2: First movement: Adagio S2 (P.)-01.mp3 Second movement: Moderato Bellicoso S2 (P.)-02.mp3 Third movement: Moderato S2 (P.)-03.mp3 Fourth movement: Grave S2 (P.)-04.mp3
  5. 3rd and final movement of my first sonata. I wanted to end it heriocally in a victorious tone. Constructive criticism is appreciated. There are some enharmonic issues with the score I will fix when I upload the full sonata.
  6. The first movement of my first violin sonata (it is supposed to be in sonata form) . Any feedback is welcomed!
  7. First movement of my first piano sonata. Constructive criticism is most welcome!
  8. I think it's time to present myself to this young composer forum, so I would like to show you my very first professional work, my piano sonata in c minor. A piece in for movements that I started composing in summer 2017 and I finished in early 2018. The sonata was originally based in 3 movements, so in 2020, during the pandemic I decided to make a revision of the whole score and to add an extra movement. So, I leave you here the link to the YouTube video where you can hear this piece: PD: If you like my music you could subscribe to my YouTube channel and share my music. Thank you and enjoy!
  9. https://www.youtube.com/watch?v=_XA6S1U5Wtc Hi! I'm Eunjae Oh, visiting this site for the first time. I am 19 years old and currently studying composition in university. To explain a little bit about the work, the theme of the work is a more splendid transformation of the first movement, and the melody of the second movement also appears in between. This is intended to strengthen the connection of each movement and finish the music well. Full version would be uploaded to the gsarci channel in the form of score+audio. I'd appreciate it if you liked it. Your feedback is always welcome.
  10. Hi. So this is a cello sonata. I wrote this between 2017 and 2018 and it was premiered in 2019. The recording is not the super bestest ever, but it does the job. This is the 4th long-form "sonata" type thing I wrote and it was mostly based around the idea of augmented chords within a kind of neo-romantic style.
  11. My 3rd piece and, my first time writing a piece in sonata form (sonatina). Wrote this piece originally as a practice piece to gain some grip in the sonata form. Some constructive criticism would be appreciated. (I have been composing for 6 months)
  12. So this christmas I've been working in this small piano sonata that is based on the theme from @Ivan1791 All movements are directly or partially conected to the theme. The first movement is in sonata form and has the theme as subject A. The second movement has the theme as a baseline (4 times slower). The third has little motifs from the theme in the scherzo, and in the trio there is a fugue wich subject is based on the theme. Finally the finale is in theme and variations based on the theme. I hope you all enjoy and any feedback is welcomed!🙂
  13. Hello, fellow composers! This is my first topic and first submission for a review of one of my compositions and I'm very excited to share this with you. I work with pen and paper, using a piano for the most part, and only in the later stages of each section of sketchwork do I continue refining the sketches through the Dorico interface. I usually expect to record this with professional musicians in some way or another, so I never spend any time fiddling with the digital performance of the work, to be honest. Because of this, the performance is decidedly robotic, but it still manages to give you an idea of the work as a whole, and I'm sure that your ear and imagination are good enough to be able to realise what it could sound like if it were performed by real, living musicians. (The audio attached is produced by Dorico running NotePerformer 3.) This work was recorded in January 2020 for Signum Classics with Kerenza Peacock (violin) and Huw Watkins (piano) at the Britten Studio in Snape Maltings. Sadly, I can't yet share the audios from that session, since the album will be released in March 2021 for the label's catalogue. Sonata for violin and piano in F major, R. 6 I. Adagio — Allegro assai II. Andante sostenuto III. Allegro con fuoco IV. Adagio ed intimo In my next posts I hope to share work with you that is still in progress so that any input from you will definitely have more weight than at this later stage in the work's life. Oh, I almost forgot! If you're interested in having a score to follow, or if I'm lucky enough that you'd like to perform this work in a recital or concert, please send me a message and I will happily oblige. Wishing you all the best, Rodrigo Ruiz
  14. This weekend I've been working in this cello sonata. The first movement I've finished but the second and third not. I feel that in the first movement I use to much the cello in its high register. In the first movement some parts are a bit akward I'm working on that. I would be pleased with feedback. If you go to this youtube video, there is a time analysis in the description with what I wanted to achieve:
  15. Hello! Here is a new piano sonata allegro movement that I've written during the pandemic. I'd welcome any feedback you might have. 🙂 Dan
  16. Hello there! During this COVID-19 pandemic, I decided to revise and continue one of my old compositions, a cello sonata, which I started around 2018 but have not managed to finish it. I decided to dig it out and start working on it again, and here it is. The sonata is in four movements, depicting the various musical periods of Baroque, Classical, Romantic and 20th Century. Movements: I. Allemande/Fugue: This movement was meant to be a separate project on a baroque suite for cello and piano, but I decided to make it part of this sonata.The movement initially only had the Allemande part, then I decided to add in the fugue in the middle to make the movement more interesting with a contrasting middle section. II. Allegro con brio: This sonata was in fact one of my early attempts in creating a piece in sonata form. I was quite inspired by Beethoven's sonatas at the time (both cello and piano), especially in the development section. To be honest, this movement is not really classical; it has some romantic references, especially the use of hemiola in the second subject inspired by a Brahms piece. I quite like how I have revised this piece, though I feel further improvements could be made. III. Variations on a nocturne: The tune is very familiar, and I think you will guess it soon enough. The first two variations are inspired by Czerny etudes (again, another Romantic composer), while the third is a dance modeled on some sight-reading piece. The fourth is inspired by a Brahms cello sonata movement, then the fifth kind of follows the style of a movement from Tchaikovsky's cello concerto. IV. Allegro marcato: The start is inspired by a Prokofiev sonata movement, in addition to one of Charles Ives' Violin Sonata which has an ostinato at the start. The piece functions as a recapitalization of the sonata, recalling motifs and ideas from the previous three movements. The start uses the fugue subject, for example. I hope you will all enjoy this piece. This piece is dedicated to a cello classmate in my music class. I have yet to show her this piece though haha. Any suggestions and feedback are welcome.
  17. I am writing my first sonata. This is just the bginning. I hope you listen and give me suggestions (listen until the music stops; the rest is draft).
  18. Hello to everyone, this is one of my latest 2020 piano compositions. It is a piano sonata in Am, the first movement. I hope you enjoy my composition and if you want to ask for anything or say your impressions just leave a comment! Thank you very much! 🙂 ^_^
  19. This is an 8 1/2 minute piece about how turbulent this year has been. It consists of an ABCBA format, where the slow A sections represent homeostasis, the jazzy B sections represent celebration, and the abstract C section represents chaos and frustration. It was produced using Musescore 3 and the Compifont Soundfont.
  20. The Emperor Sonata for Two Pianos is he 14th sonata I wrote for piano (even though the 1st for two pianos). I consider this sonata my 1st sonata (because the other 13 before this one could fall into the "Sonatina" cathegory.). The idea with this piece was inspired by the concept of Liszt's Sonata in B flat minor of creating an enourmous sonata where all the sonata is a gigantic sonata form. The first movement introduces the first subject (the Prometheus Theme by Beethoven). Second movement he second subject. Finally the third would be a third subject and the development . The cadenza its the recapitulation where all the subjects are restated in the same key and are transformed into this kind of "Fugue" where all the subjects sound toghether in harmony. The sonata is inspired in the 5th symphony of Beethoven, the first movement starts in C minor and the last in the glorious C mayor. During most of the piece the doted rythim can be heard. That rythim is for simulating a horse running. MOVEMENT I (Allegro) The first movement is written in sonata form. The first subject is introduced in C minor (1:28 min), the second subject (the Prometheus Theme by Beethoven) is presented in G mayor (2:20 min). The movement stills need to be finished (a lot) Ingnore from minute 3 until the end. MOVEMENT II (Adagio) The second movement is written in G mayor, (it needs to be transposed to D mayor so the theme in the second movement is in the dominant of the Prometheus Theme). The movement is still very raw. Its still needs to be developed and polished. In 4:13 min, the arpeggios of the first movement reapear. MOVEMENT III (Alegro Maestoso) The third movement, the finale, presents the last subject (that is just a baseline for the ending "fugue"). Then it develops the baseline and repeats it again. When the coda starts (5:48 min), there is where I need to work. In that part the "fugue" will enter (6:04 min).
  21. My first piece for solo violin: a sonata-form Allegro. I hope you enjoy. I'd welcome any and all feedback, especially if there's areas that aren't very playable...
  22. I am new to this forum. I have worked on and off for the last 2 months or so on this sonata. You can view my score at : https://musescore.com/user/27866262/scores/6096785 Feedback is welcome 🙂 This is the first piano sonata I have composed and am satisfied with, after multiple attempts. I have written it in a classical/romantic period style. I hope you guys like it. I'm still not sure about whether to include the fugue in the third movement development. I like the fugue but it goes way too long and the development with it clocks around 11 minutes 😕. There's also meant to be way more pedal, such as in the arpeggio sections.
  23. Hi, I made a second movement for my sonata but, I'm not sure if it fits the first movement. Sorry but I haven't transcribed the score of the second movement to Digital. My plan is to make the 3rd movement a minuet in C major and the 4th a presto in C minor, in rondo sonata form Any comment is apreciated :3
  24. The first movement of a four movement work, this piece is designed for relatively simple playing and is designed to be pleasant to listen to and enjoy. My own criticisms of it are at the moment it is too short, I am happy for any feedback available.
  25. My Piano Sonata No.1 in F Minor composed in 2018. The sonata has 3 movements and is written in a romantic style. The first movement is in rondo form. The second consists of a prelude and a short fugue, and the final movement is more free in its form. The sonata is inspired by some of the works of Chopin and Beethoven. I'd be interested in any feedback. Sorry about the awful recording quality.
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