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Found 4 results

  1. I am planning on writing some pieces for transposing instruments and had a question. I wondered whether composers here prefer to write parts for transposing instruments at the correct written pitch and then transpose them later, or just write them already transposed? And why do you prefer your chosen process over an other? Thanks :D
  2. Hey all, Out of curiosity, how do you compose? What is your process? Do you sit down at the keyboard, or the computer, at the same time every day with a cup of coffee and work diligently until something good comes out of it? Or does inspiration strike when you least expect it, and then you rush for a piece of paper before you forget that brilliant idea? Do you start with chord progressions? Work phrase by phrase, one part at a time? Write the entire melody, and then go back and fill in the other parts? How do you work? (I work a bit every day, phrase by
  3. With some insight into your compositional process if possible.
  4. Watching the SBS1 TV doco1 on Franco Zeffirelli yesterday made me think about the comparisons and contrasts between the life of a writer, a composer, and that of a producer and director. Of course, I became especially interested in how his creative activity was similar or different from mine. Each writer, each producer and director, each music composer has a different story, a different way to look at their creativity and the creative process. Zeffirelli will soon be 90 and I will soon be 70; he was an entre deux guerres baby and I was a war baby; he has achieved fame and wealth; I am an un
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