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Hi @PeterthePapercomPoser Thank you for the comment! I hope this work is not too complicated and bitter to you. Yes, my music is usually highly thematic and is usually evolving. This way of writing give me a balance (which I hope to achieve) where coherence between different passages while constantly giving changes/ energy to the music like a living creature - instead of very structured development. It really does. After all those dramas, I just want some "peace" to settle the piece, and prepare the audience to the next movement. Another technical considerations is that, I realize there might be frequent pedal changes to play the written chords, but I don't want 2 harps to play there. So I wrote the passage in a minimal way. Yes, Dorico with NotePerformer. Any good suggestion to avoid that issue lol

I could arrange the rest of the Guitar Quartet for piano in a weekend, have me my first Piano Quartet in A Major, and have a much fuller sound, but I'll get to that eventually...this is a very recent piece, this past December and first week of January.

Requiem in Bb Major-Introitus Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Requiem In Bb Major-Kyrie Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

Wrote one other Mass, but it's a Requiem! A happy, hopeful Requiem in Bb Major. Just effectively finished it this year; who wants to die with an unfinished Requiem after all, especially one somewhat modeled on Mozart's?

Listen to Sanctus first; for a formal Latin Mass, it's almost Rock & Roll! Credo is nice, but did YOU ever try setting that tome to music? It just goes on and on! The Nicene Creed, I mean. Gloria is the movement based on my brother's song, but there are motives scattered everywhere!

Also, Serious is on my "activity" so you won't see it on my home page.

This is amazing! it kinda reminds me of pirates of the Caribbean. i cant believe you've made 200 songs! keep it up!

cool.

Very nice, in some parts it kinda sound like an old recording. Very good!

i've checked out 'energy discharge,' and i think it's very jumpy and peppy! yooo didn't think i'd meet a deltarune fan here!!! but thank you!!! and yeah, it is exactly what I'm trying to do with this orchestration of the theme's first introduction. the ost, i think, is much more heavier with the drums and stuff but here, it's very light. i'll be developing a lot more of the theme in the variations, of course.

I've concocted yet another short microtonal experiment, this time inspired by @Henry Ng Tsz Kiu's Violin Sonata he wrote recently for his friend @expert21. I wanted to continue this with a B section in another key/meter before returning to the A material, but it ended up sounding pretty conclusive to me at the end. But let me know what you think! Maybe I'll make another movement? I would appreciate any comments, suggestions, critiques or just observations you may have! This is entirely in 24 tet. Thanks for listening!

Well, it is not the main theme to my favorite Russian cartoon, and only pops up once in a while, but if any Russian or person of any other nationality knows what this song is, or can find me the entire melody, I would actually like to arrange it for beginner-level piano; it has been running in my head all day! Ohrwurm, earworm. Perhaps I will ask my Bulgarian sister-in-law; she likes Nu, Pogodi! too!

This is my 200th work, and i find incredible that i managed to come this far in sucha small time. For my 200th work i decided to make my bread and butter, Galliards! This is for Crumhorn consort, Recorder consort, Rackett, Bassoon, Percussion and Harpsichord. Enjoy! ❤️

These are two inventions I wrote after studying species and free counterpoint with a teacher. If you have any feedback, I'd be grateful to here it!

I've actually made two songs (seious and energy discharge) made out of only deltarune instruments from chapters 1 and 2! (Note: I cant make one for chapters 3 or 4 because there's no .sf2 online)

this is really great! it's nice to see another deltarune fan on this website. I think this captures the original vibe while putting in your own personality!

Is my Counterpoint correct?🤣

What the hell; if anyone can shoot me in the thread the entire melody to this song...

Of course, I could arrange the entire song, if anyone asks nicely! Four measures took me two minutes...

When you get tired of writing music, Russian Cartoons!

https://www.noteflight.com/music/titles/2d07fea1-0168-42b9-bb4c-1ba06cd31d32

hi been working on this piece for a month now, almost straight after "Your Reality," and around the release of Deltarune's Chapter 3+4. i was super inspired by the new osts so i decided to make a "theme and variations" piece from one of them. you could see it as the next step in my "actually learning orchestration journey," after making an arrangement, i guess this time (unlike the previous variations piece), i've divided the variations into three parts. the piece is halfway done in DAW, so i've started to make the score. also, when i do so, i usually polish and look for parts that I can optimize at the same time. the score currently contains only the introduction and the theme since that's the only progress that I've made with scoring. instrumentation : 3(III=pic).3(III=corA).3(III=bc).2 - 4.3.3.1 - timp.perc:glsp/xyl/2toms/sus.cymb/cyms/tgl/tamb - strings lemme know what ya think and feedbacks are always appreciated! OST:

I love chamber music... First Movement Guitar Quartet Arranged For Piano Quartet Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

String Quartet in D Minor-1 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight String Quartet In D Minor-2 Free Sheet Music by Robert C Fox for Various Instruments | Noteflight String Quartet In D Minor-3 Free Sheet Music by Robert C Fox for Various Instruments | Noteflight String Quartet In D Minor-4 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

N.B. Williams himself doesn't follow this rule. He quite often has chords of 6, 7 or more pitches spread across several octaves. Especially when he's using complex polytonal clusters. He also doesn't tend to write in chorale form, not that I've noticed.