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  1. Hi friends, I have a doubt. In the instruments that work in pairs in the orchestra: flute 1,2 / oboe 1,2 / etc..... When we want only one to play a phrase or something, is there a rule to be nº 1 or nº 2? Thanks!
  2. Hi all, I already mentioned in this post I would share the score of my latest music track. I wrote it all first in StaffPad and then rebuild it again on my computer with my favourite libraries. Love to receive some feedback. I really tried to pay attention to harmony, counterpoint and using the right registers for the instruments. Download score: https://bit.ly/3ka0ZLu
  3. Hello everybody, i am new here! My name is Leonardo and i am 17 years old, i am a young composer looking for some feedback! https://www.youtube.com/watch?v=V5zGgmj1ilY I would like to share this with you, hopefully you have some time left in your day and you could take a look at it! It took me 6 months to make. If you want you can comment under the video or on this site, does not really matter! Let me know what you think 🙂
  4. I decided recently to compose a Waltz, feedback greatly appreciated. Thanks🙂 Also, yes, the beginning is not a waltz.
  5. Hey, I made this track for a little game. It´s something like the anno games. I would appreciate it if you could give me your opinion on my track. I would like to know how good or bad it is. https://youtu.be/HzPDoonJ5gA
  6. This is the introduction to a piece, but I haven't continued it yet. This was the first piece I made when I finally built a new computer to handle the samples I downloaded from EastWest's CC plus. What are your thoughts? I do need to edit out some of the beginning as it doesn't start until 9 seconds in.
  7. As a religious person myself, I encountered different spiritual warfare everyday and one day I tried to create the warfare with music. I ended up writing a string orchestra piece with some interesting harmonies and repetitive melodic shape. I think I'm starting to discover my kind of harmony which is great, hope you all enjoy this 🙂
  8. Good evening everyone, I am excited to present a new piece I have been working on: "Sinfonietta No. 2 for Large Orchestra". I have been working on this piece since last December (with a few interruptions due to the pandemic and life in general) and just added the finishing touches this last week. I chose what you might call an "extended" sonata form, with a longer introduction, exposition of two themes, development, recapitulation, and resolution/coda. I am interested in any and all constructive feedback. Since I just completed this piece, I'm very interested and open to ideas on how it c
  9. Here is "The Inevitable". I haven't worked out the score completely. I know there is some where delays in the timing and some weird tonal issues with one part of it. I will look into what is causing. Just curious what your thoughts are so far.
  10. What do you think? Should I continue... It's incomplete, of course. All is based on a PC set (except the very first chords)... It's in Concert Pitch...
  11. First of all I will show the corrected version of the piece, right here: It is scored for 1 flute, 2 oboes, 2 clarinets, 2 bassons, 2 high horns in C, 2 trumpets in C, timpani (C,G,D,A), and strings. The compositiong plays around themes exposed in a sort exposition. The tonal travel is C-->G for the exposition then Cm-->Abm-->A-->F-->Bb-->(Gm-->Bbm-->C#m-->Em)x2 and finally the reexposition in C major. The movement is in sonata form, but is has some surprises. If you have any feedback please leave a comment. Version wi
  12. Hello everyone. I am a young composer, This is my first original composition, which wrote for symphony orchestra. Petro Melnyk - "Overture of life" Music shows how diverse life can be. Lyrical, melodic, harmonious, but also disturbing, tense. In the first part, the music constantly keeps us in suspense. Marked trombones keep the rhythm, and the different timbres of the instruments do not allow to calm down until the culmination of tension reaches its highest point and the lyrical part begins with a solo oboe which shows not everything as scary as it seems, later other timbres are con
  13. The second movement of my piano concerto, I wrote it during the lockdown and I feel like it exemplifies my mood throughout. I'm particularly pleased with the brief piu mosso section. I wanted to upload it with note performer, although I currently don't have my finances in order. so I didn't, if I get it soon I'll re-upload it. Please let me know your thoughts, and I'm working on the final movement, as I'm not short on time.!
  14. For my Secret Santa entry, I had to describe a world in which all the adults had succumbed to a global pandemic (COVID-19, anyone?), leaving the children alive and alone to fend for themselves and shape the planet they had unwittingly inherited. Though this is a fanciful scenario, psychologically this fear of loss of protection and "parental" guidance is not so farfetched. What would happen if all of that were stripped away? (It invariably is many times throughout our lives.) So that's what this work aims to delve into. I did not intend to get so carried away with this project. I wanted i
  15. This is an updated version of a concert overture I wrote in CPE style (mostly Classical Era style, with a bit of Romantic flair, and an ending that veers wildly into other territory) a few years back. I fixed a few mistakes in the score and added a better sound file. All comments and criticisms are welcome! I hope you enjoy it. Thanks for listening.
  16. This is my 1st orchestra chamber piece... Hope everyone enjoys!!! A Lovers Dilemma (1).mp3 Sheet Music: https://flat.io/score/5eb99ee6ae694208449213c9-a-lovers-dilemma
  17. Hello guys. Recently I have been working on a symphony of quite simply epic proportions, and I want to share Symphony - I..mp3it to you for some feedback and advice. You can listen to the symphony at the YouTube links below, and I have also uploaded the score and MP3 in case you want to dive into it a bit more. Link to playlist:
  18. Hi, Here is a little track that I composed. Any feedback would be really appreciated. The idea should be pretty clear from the title. I've also attached the score, just in case
  19. Finally I have a chance to compose something for a bigger sized orchestra and piano solo. This is my first time composing music for such big varieties of instruments. This piece describes a person's life, ups and downs. With the use of a special chord in Schoenberg's Verklarte Nacht.. Please have a listen and enjoy 🙂 Song of Life.mp3
  20. I've been working rather hard on this piece and have a full movement of a concerto, I hope you guys enjoy and any feedback is welcome.
  21. Hi guys, I've remastered and tweaked this with an extra bit on the end. Rhapsodic in form, with all subsequent melodies based on the opening. Hope it lifts your spirits https://www.youtube.com/watch?v=OENrlkI5axk Many thanks.
  22. Here the first 47 bars of the first movement of my first symphony! Allegro.mp3 Open for feedback and suggestions!
  23. I wrote this little pice these days of quarantine....
  24. A second piece for trompa (French Horn) and orchestra.
  25. Time is eternal. As sentient beings, we often fail to understand that despite the eternal nature of time, we -ourselves- aren't. At some point, our lights will extinguish -our lives will come to an end. This is scored for a chamber orchestra of one of each woodwinds (1.1.1.1), brass (1.1.1.1), vibraphone, timpani, and strings. Compositionally, this is an abridged sonata form. The exposition lasts for roughly the first minute, the development section lasts most of the work. The recapitulation was shortened to just a restatement of one theme (with textural variation) with coda.
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