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Found 25 results

  1. AND FOR NO REASON, THE SHEET MUSIC.
  2. Hi forum 🙂 I've been away from composition for a while, due to time and motivation matters... Anyway, here's may last one, a piece for string quartet I would qualify of neo-baroque-romantic… 🤔 Hope you'll like it 🙂
  3. Just joined here and decided to put one of my favourite pieces, my flute sonata which I wrote approximately one month ago.
  4. Hello, This is my sonata for violin in g major in the early italian baroque language. I did a very lazy conitnuo realization.. so please dont mind that 😛 I. Grave II. Allegro III. Adagio IV. Vivace SimenN
  5. After a two-year hiatus, for the month of December I decided to go back working on this set of 26 minuets which I have been working on off from 2016 to 2017, and stopped in 2018 when I have other things to work on. Here's the status of the minuets as of April 2018: Anyway, after that and up till December, I have gained new musical knowledge and experiences which can be reflected in this new version of the set. More dynamics are added, the pitch range has also been expanded as well and incorporating other forms (Rondo and Sonata) into a few of the minuets as well. Many of the music
  6. So, I am working on a set of canons as a prelude to the fugue. No, not literally, as in I would put these before the fugues I write. No, what I mean is that I view the canon as being simpler than the fugue in all sorts of ways and thus as a preparation for fugue writing. I aimed for a more Bach like feel to this canon than the Pachelbel like Canon in Bb that I composed for woodwind quartet. I even went so far as to write it for harpsichord instead of piano to further get that Bach feel to it. Now, why am I mentioning Bach? Well, he is the composer that keeps encouraging me to go ahead and writ
  7. Hi all 🙂 Just wanted to give it a try to a duet between a recorder and a cello... Here it is ☺️
  8. Hi all 🙂 Here's my last work : Hope some of you will like it 🙂 Have a nice day
  9. This prelude in c minor is part of my endeavour to write a small collection of six preludes in various imitative styles. It follows a more associative development typical for imitative-figurative preludes of baroque music and is heavily indebted to this article by Vasili Byros, “Prelude on a Partimento” (http://www.mtosmt.org/issues/mto.15.21.3/mto.15.21.3.byros.html). However, this prelude is not based on a partimento but on a simple plan I devised myself. The score still needs some improvement, but should be readable. As this prelude has a really baroque feeling, I opted to use a
  10. My first proper attempt at writing something baroquey. I was wondering, what's the best way to describe this piece, academically speaking. Fughetta, Fugue, Double Fugue, Counter fugue?
  11. Hello. Posting some old works that was performed some years ago. Concerto nr. 36 in the late Italian baroque style, written to my better half! Sadly I lost the recording from the concert, so this recording is from a rehearsal. For me this second movement of this concerto is the most expressive slow movement I have written. I. Allegro II. Adagio III. Vivace (La danza dell'amore) Please tell me what you think! Performed by new baroque ensemble 2016.
  12. Hello everybody, Currently, I am working on my Figured Bass skills, which I find pretty hard. To begin, I wrote the first movement of a Baroque Alto Recorder Sonata accompanied by Basso Continuo, consisting of a Harpsichord and a Viola da Gamba (or Violoncello). Recorder Sonata No.1 in C major, I. Adagio. Feedback or any thoughts would be very nice! *I just shared the 'project' file, so a part of the second movement is also shown.
  13. Hello, this is my second post and my most recent music on the theme Non-sense. This is not to be taken seriously but as a musical parody, I aprecciate if you give me your feedback!
  14. Here is another air for soprano and piano, based on a text my mother wrote (which I translated as well as I could). Again, the flute is used instead of the choral patch. Let me know what you think, and, if you know Italian, if the translation is accurate. Thanks! UPDATE: This piece has been changed and moved into an updated collection here ------>
  15. Hello all, This is a small piece in Irish Gaelic from the 18th century (hence the Baroque tag) - the poem is a dialogue between the poet (tenor) and a priest (bass) on the subject of death and godly punishment (or forgiveness) after death. It's scored for one flute, one piano, two soloists and a cello as well as a choir with 2-3 singers per voice. Any advice is welcome, particularly on technicalities on the Cello. Cheers, Marc An_Bás_2.mp3 An_Bás_2.pdf
  16. Fugue g minor My first piece, so only two voices. Tell me what you think!
  17. This is a set of three pieces, though composed individually, that I put together as a single opus number, each reflecting an attempt to compose within a specific style. The first is a "sonata" akin to the single movement works of Domenico Scarlatti. It originally started as a possible movement for my harpsichord concerto which I later just used as a stand alone solo keyboard piece. It is playable for harpsichord or piano. The second is a movement in classical sonata form that was originally an assignment for a music theory class. It's probably the most "pedantic" of the group bein
  18. This is quite an old piece -- approximately a year old; it is relatively short and simple, and it relies primarily on the harmony, as opposed to a melody. {{I realized the continuo-parts (guitar and harpsichord) myself}} Nonetheless, I think it is a fair piece of music myself, and I thought I should share it. Let me know what you think, and do remember this is from a while ago! :)
  19. A brief piece for cello and piano I quickly wrote. It is among the first of the pieces that I've written in such a style, so I'm always looking to improve. Let me know your thoughts, and thanks!
  20. This is a piece for solo violin in a neo-baroque style. It's virtuosic in places but (I think) playable.
  21. Interesting new format for the forums.... I've posted this awhile back, but it remains one of my better works, I think. It's a harpsichord concerto in the Baroque style, though incorporating my own idiosyncrasies within it. I initially transcribed a movement of an older piece for violin duet (the last movement) as a harpsichord concerto movement and liked the result so I composed two new movements to go with it. I hope you enjoy it.
  22. Guys, please, I've never found it would be so difficult... I'm looking for some choral pieces written in strict mixolydian mode, but I don't want a modern one. I want those old medieval pieces, or maybe from renaissance. It just has to be mixolydian and choral. (preferrably for not too many voices...) Thanks in advance^^
  23. Hello everyone, this is my first little contribution to the forum's educational sub-board. I have become well acquainted with Baroque and Galant musical procedures in the past 6 years and I thought I would share a little of that knowledge. For those who do not know, the Baroque period, specifically the Late Baroque, spanned a period of time from 1680 to roughly 1730. The Galant Period began around 1720 and spanned up to the 1770's. A little primer on Baroque and Galant composition is needed first. The idea of music composition during the Baroque, Galant and even Classical Eras was fundame
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