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I was going to comment on the similarity between the Sondheim theme and yours, but Ken beat me to it lol. Generally it's a very well constructed piece, very upbeat, with catchy melodies, sharp orchestration, and interesting harmonies. I think it maybe a little TOO "economical"...I wouldn't have minded another theme, possibly something contrasting in mood, key, tempo. After all, rhapsodies are suppose to be more improvisatory with a range of contrasting moods. Also, since you feature the piano as a solo instrument, I was wondering if a bombastic cadenza towards the end would be appropriate? Thanks for sharing, and nice to see you back on here!

This may be one of the only times I say that a composition needs to stay in one place more. You don't have a score so I can't point out too many specific things but some of your modulations are a little awkward like the second modulation to F# minor. None of it was bad per se, it's an interesting way to handle a constantly moving adventure, but diatonicism can't hurt especially in the bigger areas; in contrast, the less "energetic" parts are quite lovely and focus on the scale with interesting changes nonetheless, with some exceptions: Going out of the first one to B minor, the appoggiatura in the oboe is a bit strange. The E minor modulation after that is also strange. The violin solo had a weird passing tone going back to the tutti violin section. Overall, it's quite good an carries the idea through quite well. Some transitional work might be necessary. Cheers!

IMO you can't do iconic "desert" music without the "Oud" sound (basically an arabic lute that's also played in parts of africa). On that note, if possible try to use quarter tones and the traditional maqam system. You'll need to use 24-TET to do this, and it isn't as hard to implement as other alternative tuning systems.

Unless you got a lot (and I mean a LOT) of extra cash lying around, "hiring" an orchestra is out of the question. One way is to enter composition competitions (google some) and if you win, they'll probably play your piece and record it. OR if you know a music director/conductor with an orchestra, you can always ask them to perform your work (a little groveling/bribing/greasing doesn't hurt). Before you do all of this though, I would strongly urge you to hone your orchestral/composition skills so you have a higher chance of getting your work played.