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Hey everybody! I'm new to this forum so this is my first post. I am an organist and accordionist and recently started composing my own music because, you know, why not? I enjoy doing it, but have had some trouble recently so I am looking for some advice on how I can improve. I am trying to compose in a baroque style, sort of like my two favorite composers, Bach and Vivaldi. I am trying some "simple" forms currently, like minuets and chorales. They don't sound terrible to my ears, but I know that there is lots of room to improve. The files are attached if you would like to help me out. (thank you!!) My first question is: How can I come up with good ideas (and continue the ideas)? Sometimes when I try to compose I just get nothing and end up deleting my work out of frustration. My second question is: How can I eventually build my way up to compose more complex things? I have tried other forms and some more complex music, but am unable to make anything sound natural. If anyone can help me out with this that would be great. I can't thank the people who do enough. Thanks again everyone!

Here is probably my best choral work, my motet "Vidimus stellam" in 5 voices (SSATB). I would describe the style as Late German Romantic Emulating Stile Antico, ca. 1875, for lack of a better term, and the work is dedicated to the memory of Liechtenstein-born German composer Josef Rheinberger (1839-1901), whose choral music is similar in style. This motet is for the occasion of the Feast of the Epiphany, traditionally celebrated on January 6, the 12th day after Christmas in Western Christianity, which among other things commemorates the coming of the Magi (wise men) from the Orient to pay homage to the infant Jesus. The Latin text translates: "We have seen His star in the East, and are come with gifts to adore the Lord." I made extensive use of counterpoint in this piece, especially in the climactic middle section. I hope you enjoy! Vidumus stellam - Motetum 5 voci – Communio, Epiphania Domini - Composed: October 27 - November 11, 2016 at Austin; revised September 3 - 9, 2020. - Premiere Performance: January 8, 2017, Epiphany of Our Lord (observed), by the Schola Cantorum of St. Mary’s Cathedral, Austin, Texas – Dr. Jeffrey Jones-Ragona, Director of Music. - Style: Late German Romantic emulating Stile Antico, ca. 1875. - Text: Communion, Proper Mass for the Solemnity of the Epiphany of Our Lord (January 6) - Language: Latin - Duration: 03:30 - Electronic Rendering by Finale 26 music notation software’s "Human Playback" with NotePerformer 3 artificial intelligence assisted interpretation.

Here are a couple score I recently composed I was trying expand my ideas. not sure if the tempo is to fast on either. Enjoy!

Greetings. I want to present another composition of mine, which I wrote in February 2023. This short piano piece, written in F-sharp minor, is based on "The Diary of A Forest Girl" by Aeppol, a Korean artist. This collection contains fanciful illustrations that I admire a lot, which later inspired me to write this piano piece. I managed to capture my performance on video, but it took me countless tries to get it right (but still flawed) since this piece was technically challenging to play. Anyway, here is the video recording, and let me know what you think about this piece. Carl Koh Wei Hao

Hi all. Here's an impressionistic piece I made with GarageBand. It's supposed to represent light rainfall, building up to a thunderstorm, then calming down again. I've used Chinese and Japanese drum kits, as well as piano, pizzicato strings and electronic resources. (Wasn't really sure which category to post it in; but soundtracks seemed to be the closest fit!) (N.B. 2nd version has added sound effects.)

G'day fellas! I hope you're all doing well! When it comes to composing, very rarely do I manage to exceed 8 bars for any given tune, let alone get to the end as I did with my Étude in G minor. These scherzos (which I think I started around a year ago) are exceptions to this, yet I haven't managed to get very far past the opening theme! Ultimately, I envision them to be traditional in their structure, with an opening theme (repeated), a secondary theme (repeated), a trio and a coda. I have a feeling that I will be using this forum more than any other, hahaha! Who else has had a go at writing a scherzo? What were your inspirations? Quinn St. Mark Scherzo No. 1 in E Major.mid Scherzo No. 2 in A Major.mid

This is a recitative I composed based on the poem "Still Held" by John Mark Green. Hope you enjoy! 🙂

Once again, Henry is the man. Great performance Henry! Updated the mp3 of @Henry Ng Tsz Kiu 's recording

Hi @Alex Weidmann, This piece is very soothing to listen to (except the drums!) I love those scales! Again in 1:15 that Japanese scale appears as in your previous piece. The first section is the most enjoyable section for me. The second section it becomes percussion only which I don't quite like. I think you can at least have piano playing between those gaps by the percussions! I also feel like this section doesn't match with the previous one, since this type of drums always reminds me of Chinese Lion Dance which I frequently watch! I can't imagine it related to thinderstorm haha! The ending is great, but will be greater if it's longer! It's too short comparing to the first two sections for me. I think it fits here too with the added sound effects! Thanks for sharing! It's enjoyable music! Henry

Hey welcome to the forums! Very cool work you posted. Maybe you mentioned it, but do you play piano? I'm always curious if the composer plays the instrument they're writing very difficult music for. A few questions came to mind: stuff like this might be really hard to pull off, if not impossible do you want this pedaled? I just don't see how I could pull this off, but then again, I suck lol what does the orange note mean? I think a lot of the "hands together" stuff you do is really cool, but some of it seems VERY hard at that tempo Content-wise, I think this is really cool. It has kind of like a minute waltz type of vibe which I really like, but it's also partly a challenge to keep up that break neck speed for 2:15. Sure it's an etude, but something I always try and think about is what the listener is experiencing. Even a few measures of well placed rests to let the phrasing of the melody breathe, or a gap in one of the hands I think would do this piece justice. Like I said, I'm no expert, but just some thoughts on your music. I'd love to hear feedback, and again, welcome to our forum! You'll find there are loads of great people here to get to know, and many are willing to share their advice on your music. It helps to offer others some feedback as well, you seem to have some talent and a lot to share. More often than not, a few words about someone's music will make their day, as I'm sure it does for you, and the more you mingle with people the more attention you'll get with your own music. Thanks for sharing, I'm excited to hear more from you 🙂

You play beautifully, fantastic performance! You "technically" posted a score, but I couldn't quite make out the sheets of your binder haha. Could you upload it next time? I would have loved to follow along. Very well done my friend, thanks so much for sharing this one 🙂

What a fantastic piece, and it was great to see you play it too! Lately I've been blown away by the talent of composers on here, it's so inspiring. Charming is definitely the word but also impressive, it looks difficult to play. Well done, Carl!