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UncleRed99

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UncleRed99 last won the day on April 22

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About UncleRed99

  • Birthday 08/11/1999

Profile Information

  • Biography
    Nothing much to say here. 
    I was previously a musician in training with Benedict College in Columbia, SC. I dropped out and have been a Mechanic ever since, as a second career choice. Recently, in mid 2024, I got a bug up my a** with the desire to mess around with arrangements again, and that has since evolved into original compositions as well, re-learning the ropes as I go. I'm not a pro anymore, but I do bare some valuable knowledge and insight from time to time. I look forward to having discussions and sharing music with you all. 
  • Gender
    Male
  • Location
    South Carolina, USA
  • Occupation
    Mechanic
  • Interests
    Music Composition, Car Repair
  • Favorite Composers
    Martin O'Donnell, Michael Salvatori, Neil Davidge, Kazuma Jinnouchi, Michael Sweeney ...
  • My Compositional Styles
    4-Part Writing
  • Notation Software/Sequencers
    MuseScore Studio 4, Audacity
  • Instruments Played
    Trumpet, Guitar, 12-String Guitar, 5-string Bass, Piano

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  1. You know what, that crossed my mind too 🤣 how it was reminiscent of the OG Notch Minecraft soundtrack. Love that someone else thought so too. and I’m glad that you enjoyed the subtlety of my work here 🙂 I succeeded in my intentions with the sections you mentioned! thanks for the feedback my man
  2. Yes, the intent was to be more static in the creation. As recently I’ve been trying to work on my form and trying to be careful with ensuring that the melodic / harmonic voices are distinct from one another, as I have been told in previous pieces that I tend to blur the line between them at times. plus, I believe that soft/heartfelt pieces express much of their beauty within their simplicity. “Less is more” is how I see it with this sort of theme. Allowing the sound of the instruments to breathe in the air for a moment, and giving the room a chance to carry sound, in my opinion, impacts an audience better than if there was fluently complex chord structures, and limited breaks between phrases. 🙂 PS id also like to point out that this sort of theme is quite different from my typical stylistic choices when it comes to composing. So was really dipping my toes in the water with this one. I’m usually writing in a more “Adagio” or “Andante” style, rather than “Grave” or “Larghetto”
  3. Yeah sorry tried to do it on my phone and it broke and I couldn’t fix it. 🤣🤣🤣🤣
  4. MP3 Play / pause A Piece of Me 4:17 4:18 volume > next menu A Piece of Me > next PDF A Piece of Me, for You I’d love to hear y’all’s thoughts on this, whenever time allots for anyone to respond 🙂
  5. A Piece of Me, for You.pdf A Piece of Me.mp3 Despite the simplicity, I think this one turned out absolutely awesome. it was inspired by some... for lack of better words... interestingly put together scoring done by a novice user on the Musescore platform. The only thing that is anywhere near the same is the feel I thought he was goin for, and the key of Ab Major being used, with emphasis on the Major 7ths. (Which I love so so so much. Me and Major 7th chords talk with one another often... hehe) Hope you all enjoy. Let me know what you think! IF anybody wanted to pick up the piece to play it, please please please feel free to do so, I just want a recording of it 😅 😅 😅
  6. In my haste, I neglected to run back through to fix those lol Musescore wrote em how it wanted to and I didn't really care xD My composer friend, who spends hours in discord with me while we write together, mentioned the same thing. I was more or less concerned with the harmonies, in how they blended together. I suppose it's one of my weakest areas, in terms of writing. I've always had trouble remembering to correct accidentals. 0_0
  7. Not sure if this is the right place for this post, but I came across something, quite simple but still fun. Was browsing youtube and stumbled upon a video. At the very beginning, the creator presented a 4 bar line of a Violin melody. (I've altered it a slight bit to make it a tiny bit more interesting. the original challenge melody reused the 1st measure, except with the same 4 32nd notes you see at the end of bar 3. I elected to simply change it to Gb, rather than staying on the G. I also included an ending 1 and a fine measure to sort of round it out a bit more. Here is the Challenge Melody): The instrumentation to be used for this challenge includes Vln. 1 & 2, Viola, and Cello. 4 Staves, with Vln. 1 already written for ya. Just curious to see what everyone else comes up with 🙂 Here is mine! I'm not a virtuoso or a master so mine will probably pale in comparison to some of yours. Lets see it! Harmony Challenge.mp3
  8. The way that musehub works best is if you have it set to launch upon startup. it has little to no impact 🙂 Also, the Musehub login is different from the Musescore.com / .org logins I found a solution to it. I'm going to make a second post with an updated video to resolve some balancing/sound issues, and to showcase the reason why that was happening. To give you a summary, apparently I have to apply a soundflag to each part, and set it to "Classic Phrasing" to fix that... Who knew... lol
  9. Let me try something new. I believe the audio issues that you all are hearing with my uploads are stemming from my use of Dolby Atmos, external speakers, and equalized headphones. I don't have a Raw Audio output to proof listen-to after writing music. The Musescore mixer is also notoriously under-monitoring for gain and overload, as in muse mixer, it didn't indicate this at all. It indicated French Horn was much lower than Trumpet, among other inconsistencies
  10. I took the liberty of writing a short composition to test the different capabilities of the new Vienna Brass sounds from Musegroup, in collaboration with Vienna Music Library. My first impression was that the French Horn sounds, all of them, were FAR too quiet. I was forced to add a compression FX to it, cranked up quite high, with a +3.0 Gain just to hear it through the rest of the ensemble. But I think I got the sound dialed in just right here for the video. Figured I'd do everyone a favor and make a quick demonstration and provide my thoughts on it. Overall, I'd give the plugin a 5/10, in it's current state. I know its still new, so updates are likely on their way at some point in the future. Attacks on each instrument, as you'll hear, are a bit odd, and sort of like there's an accent or marcato mark on each note, except not as pronounced? I hope that makes sense.. lol I also noticed that when using Accents, they're either flat out ignored at times, or, they're over accentuated, to the point the instrument plays a "blat" rather than an accented note. Or, at lower dynamic volumes, they will be played as if it was notated "fp" just underneath it? Weird.. However I must say, it's WAY better than my previous experiences purchasing sound packages from MHub. CineBrass from MSounds, and Berlin Brass from MSounds were ABSOLUTE TRAIN WRECKS when I tried them out, a couple months after they released. Buggy as all hail, would randomly pitch bend notes longer than a dotted half note, or just outright play everything completely out of tune. (I have a demo vid somewhere that even shows that issue, I think... Can't recall what I did with that, but all you needa know is that it was HORENDOUS lol... This is a vast improvement that brings me some hope for future additions to the MS Library store. 🙂
  11. Yeah, had issues with that in the past too. I didn't notice it on the initial export. It may have been I never even listened to it... lol But typically exporting as a .WAV then converting it was a good fix for me when it was a major issue.
  12. Oh boy, I didn't realize there was an issue with the previously uploaded audio. Must've been something to do with the MS4 Studio Exporting. I apologize for that! I exported the audio from the MS.com website this time.
  13. I do agree with you on the issue of balancing, and I can also see how the melodic choices I made didn't contribute much toward melodic development. As I said in my response to the initial feedback you gave, I went through with a new friend of mine who was willing to take his free time to instruct me on some of the Music Theory material that I was unfamiliarized with, that related to some of the things he noticed wrong with it, which were much in line with what your critique of it has been so far. So moving forward, I'll be looking to improve upon what you've mentioned, among other things as well. do always appreciate your feedback, and will be using this information to further progress my skill in dabbling with composition. And I do hope that you were able to enjoy this piece, despite the issues with it. I feel that with this one, I at least had some awesome chord modulations 😅 Especially there at the end, modulating back to the original key of F minor, just before the transition from strings harmonies to brass harmonies.
  14. wait! @Henry Ng Tsz Kiu, I noticed you liked that comment while I was editing the post!! If you're taking a look at it, refresh the page first! 🤣
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