UncleRed99

No hurry! 🙂

Oh, i almost forgot to mention, I'll give credit to @MK_Piano for his idea to throw that E Natural in there in the bigger sections, for more dramatic emphasis on the chord progression there. Marvelous Idea, I thought

Would you be willing to elaborate on this point? (meaning, if you would, explain your thoughts on this, by quoting bar numbers or specific phrases where I could improve upon this idea?)

Now that you mention it, I can see where I got a bit zealous in the writing as it pertains to what the playback sounded like 😅 And since it was a while ago that I actually wrote this score, I didn't change much from how I had it originally. I may go back and rework those sections now that you say that, because I would happen to agree with those notions. Thanks for your feedback Henry! It's always appreciated 🙂

Thank you thank you ❤️ I may post periodic updates as things progress, especially if I find myself lost on where to go. That tends to happen quite often.. lol but since I do this on my down time, It helps to be forced to take breaks from writing, on a consistent basis, so I have to go deaf to what I wrote a few hours ago. That helps come back at it fresh again. But right now, I'm struggling with how to progress the cello section, into a transition towards an A' or B' section again...

Yes, ideas that I've brewed as well. I'm glad that the ideas are not lonely, here. lol I also just wanted to share this because c'mon... Why wouldn't I show these chords off for others to enjoy as well 😭 They're gorgeous, I think

Thoughts on my current rough-drafted ideas / progress on a new symphony orchestral score I'm working on? This is a very rough draft. lol. The form isn't quite proper right this minute. Better transitions and more complex sections will be added in time. Thanks in advance 😉New(2).pdf New(2).mp3

Hey Peter. Sorry I ended up missing out these last few days of the month. Personal-side issues, on quite a severe level, have had my focus diverted on them rather than here. Since Music is more of a Hobby for me, I'm unable to prioritize it often. I will still go through and provide feedback for the pieces I missed, as time permits, for the sake of integrity and following through with what I helped to plan for the forum with you all. 🙂

Ah, I caught that Toccata and Fugue in D minor Reference lol Subjectively, I feel this piece could've been made much more enjoyable to listen through all the way, had you made different choices with harmony, in this work! While I understand the goal is to capture "Halloween" as a theme, every bar in this score seems to have some level of dissonance. Especially in the "F" section. You begin with a nice, but lonely piano texture, then comes in the strings, like nails on a chalkboard, much like most of the piece presents itself, in the strings. In my humble opinion, I feel when it comes to music, even the music that's meant to elicit a feeling of unrest, suspense, or thrill such as the Halloween theme should represent, finding a way to balance out dissonance with consonance is a very important aspect in creating something that can be enjoyed by everyone, or utilized within other works of art such as film for example. Telling a clear story using melodic textures that are able to be naturally resonated with is Important, if you were to ask me. Otherwise, the score had interesting ideas that should be commended. I will have to agree with much of the feedback that Daniel @Omicronrg9 has left behind for you to review. Thank you for sharing! Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 4 2 5 5 8 8 8 2 Average Score: 5.25

Quite a unique ensemble... 2x Pianos & 1x Violinist? Interesting... lol Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 7 7 4 10 5 0 4 5 Average Score: 5.25 😉 I will try to return and elaborate on this score tally when I have time to do so. Thanks for sharing!!!

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 3 3 7 8 5 9 7 4 Average Score: 5.75 😉 I will try to come back here, when I have time to, to provide a more thorough explanation of my reasoning with this score tally. Thanks for sharing!!!

Fair enough. I suppose I didn't catch the underlying meaning or intent behind the notation. As you know, I was always a wind instrumentalist, not classically trained. So my interpretation of sheet music may differ from those who are classically trained. Although, I did mention that I can't see that as a "problem" and more so viewed it as a technicality. Which had no bearing on my final scoring of the piece! But thank you for clarifying that point 😉

What's up my boy. We've already spoken about this score privately. But I have to comment here, as well! I didn't mention the enjoyment of your use of the bVI chords in your transitions. Very tasteful and well placed. Pacing of the piece is very well executed. Also pleased to hear at mm.33 you found a way to make the playback work in your favor. 😉 a couple things to point out, from my perspective though. Your use of the term "Esultante" I feel is misplaced in this score, as a whole. That section is more reminiscent of chaos rather than "exultant," "jubilant," or "elated" (which is the definition of that term, from what I recall) which is but a small gripe, but a gripe nonetheless lol I also am questioning playability in some areas for Violin and Cello. I'm not a strings player, however, I would imagine some of the rhythms used in the rhythmic sections, and even in a couple areas of the melodic sections for either instrument, while they'd be physically playable, might not sound as it's written with any amount of ease. Not to say that it's not possible with practice, but for example, the Cello part, when ending a phrase in it's rhythmic areas, they're playing an eighth note followed by a sixteenth note chromatic triplet: I fear that this would come out more "muddy" than well articulated for many players, specifically being played in the lower register. Though, this is not a "problem", moreso a technicality, if we're being fair. But I digress. lol You can see my scoring chart + average score below, to conclude my thoughts on the score. Thanks for sharing, and I'm glad you decided to join us here at YCF 😉 Great work, and I know you'll keep on writing so I don't need to tell you, twice xD Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 8 10 6 7 6 10 10 Average score: 8.125 😉

This one is most definitely "Halloween". The subtle use of that Gb Tritone / Cdim. chord suggestion in the piano, as a part of the eighth note phrases on the right hand staff really makes the listener get that uneasy feeling. Overall, I like this piece very much, and would even go as far as to say I'd like to see it performed live! I'm sorry that I don't have more to add in regards to this score, today. I'm strapped for time lately, trying to make rent, working around poor weather to make that happen. 😕 I'm attempting to comment on all the submissions for the competition, with something at least. I hope this will do 😅 Thanks for sharing! Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 10 7 5 6 10 10 7 Average score: 7.87 😉