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Showing results for tags 'claudio huang'.
Found 45 results
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Op.9 Nr.1 little symphony
I just wrote a symphony in one movement, hope you like it! the video: 作品9之1 小交响曲_哔哩哔哩_bilibili
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Op.8 Nr.1 my new piece in Japanese style
instruments: Shakuhachi: Japanese bamboo flute Nokhan: a kind of Japanse high pitch flute like Piccolo Shamisen: a kind of plucked string instrument with 3 strings Koto: Japanese version of Chinese Guzeng as I don't know how to notate Japanese traditional music, there is no score here all in all, hope you like it! the video: 【日本民乐】作品8之1 无标题_哔哩哔哩_bilibili
- two soft pieces
- Op.7 Nr.1 my new microtonal piano piece
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【Microtonal】Being and Absurdity 15TET+19TET+24TET
the video: 【微分音钢琴】存在与荒诞:将15平均律、19平均律和24平均律混在一起能达到怎样的效果?_哔哩哔哩_bilibili this is my new piece aiming at mixing notes in 15TET, 19TET and 24TET into a solo piano in my score, notes with accidental in baby blue are those in 15TET system, in purplish red are those in 19TET system hope you like it and give me some suggestions if you like!
- Op.6 Nr.2 my second microtonal collage piece
- Op.6 Nr.1 my first microtonal collage piece
- 【Album】Op.5 8 microtonal piano pieces
- Op.5 Nr.8 Theme and 8 Variations (19TET)
- Op5 Nr7 my new microtonal piece
- Piano Variations on a Christian theme
- Variations on a Christian theme
- Op5 Nr6 my new result in microtonal piano research
- Op5 Nr5 an interesting experiment
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Op5 Nr4 a pioneering work of microtonal piano music
hello everyone, I am back, this is my new piece, hope you like it! the video: 【微分音钢琴】作品5之4 无标题_哔哩哔哩_bilibili Op5 Nr4.mp3
- Op5 Nr3 a pioneering work of microtonal piano music
- Op5 Nr2 the ultimate perfect version of my microtonal piece
- Op5 Nr1 a microtonal piece
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Op4 Nr6 Threnody to the Victims of Novel Coronavirus Pneumoia
The video: 作品4之6 新冠肺炎受难者的挽歌_哔哩哔哩_bilibili This is a piece of quasi-serial music. The theme is a sequence composed of 16 quarter notes and marked with serial numbers such as 1,2,3,4,5,...,15,16. When it is performed by violin I for the first time, it only plays the first note; second time it plays the first and second notes; third time plays the first, second and third notes..... it deals rather freely with the rhythm. Violin II performs the theme with double duration of violin I's notes, starts from the first one, adds one additional note every new turn. Viola performs the inverted theme. Compared with violin II, it also doubled the duation. Start from the first note, adds one additional note every new turn. Cello performs the inverted retrograde theme. Compared with viola, it also doubled the duation. From the first note, adds one additional note every new turn. Contrabass plays the retrograde theme with double duation once more. (As the duation of the note has already been enlarged to infinity, what you hear are exclusively long notes). Start from the first note and add one additional note every new turn. When violin I played the theme for 16 times, the whole theme had been demonstrated. In spite of the fact that other voices showed only a part of the theme, some of them stopped and entered the Coda. Following violin I, Violin II plays the theme again with double duation. Then Viola played it once more with another double duation. The music finished with long notes of 8 bars when the theme had been showed completely on viola. Of course, there are three filling voices beside the theme, inverted theme, retrograde theme and inverted retrograde theme to keep music full and pleasant to the ear. From time to time you can also find the strikes of timpani and campana. It is to express the grief to the dead. Hope everyone feel the ingenuity of this music and have a sympathy for the feeling I intended to convey.
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Op4 Nr5 The Art of Repetition
This is a piece of chance music for any combination of instruments. The basic elements of it are 38 phrases vary from 1 to 10 bars. They can be combined vertically and horizontally at random. Everyone of them can be arranged into any octave position on the score. So, the performer must be careful to accord with other performers to secure the coordination of the music. This piece doesn't have a ready-made full score. The specific form of it depends on the improvisations of the performers on basic elements, and therefore each new performance can be counted as a new piece. The audio demonstrated 3 combinations, while the actual combinations are far from these. Isn't it an insteresting thing that performer can use his imagination to create infectious music and take part in the composing process? This kind of avant-garde technique absoultely get rid of the tradition that the performer had been imprisoned by score. It is a fresh new way to organize music. It is not only chance music, but also minimalism. chance music+minimialism=impromptu minimalism. Hope you like it! The video: 作品4之5 重复的艺术_哔哩哔哩_bilibili
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Op4 Nr4 The Art of Repetition
hello everyone, I am back, this is my new piece, hope you like it! the video: 作品4之4 重复的艺术_哔哩哔哩 (゜-゜)つロ 干杯~-bilibili
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Op4 Nr3 The Art of Repetition
this is my third endeavor exploring into the minimal music, please comment and tell me your feeling of listening to it the video: https://www.bilibili.com/video/BV1A64y1U7tv/ the admistrator told me to comment on other people's pieces, if I am free, I will do it!
- Op4 Nr2 The Art of Repetition
- Op4 Nr1 The Art of Repetition
- Op3 Nr2