May 24, 201114 yr This is something I mostly wrote on spring break. Finals have been keeping me away from finishing it. Everything is done with my virtual orchestra. Revelations
May 24, 201114 yr Wow. I really like this. There is a great mix between high intensity, quick, staccato sections and slow, melodic sections. It keeps things interesting throughout. I am really jealous of these sounds. Great piece of work. Thanks for sharing!
May 24, 201114 yr Very nice recording man!!! Everything sounds great but I don't listen the woodwinds and you do have them there don't you ? or you write for Strings+Brass+Perc only like Jem ? I tend to disapprove weird ensembles and an orchestra without woodwinds is weird to me. .... but I'm officially approving this :thumbsup:
May 24, 201114 yr the do try to enhance those a bit, can make your piece even better, write some not so fast arpeggios like little waves in the sea along the big ones.
May 24, 201114 yr Author the do try to enhance those a bit, can make your piece even better, write some not so fast arpeggios like little waves in the sea along the big ones. This is not the 20th century. And I don't want the woodwinds to be too noticeable. Their job is to sweeten the strings up just a bit.
May 24, 201114 yr Dude, it's a film track, made primarily in a DAW. A score is a lot of extra work. :) Just wanted to say: "liked" Been a while since I've liked an upload. Nicely done. :santa:
May 26, 201114 yr WOW Max I can imagine you as a REAL prince riding your UNICORN past beautiful sceneries on your way to the battlefield with cannons and M-16s. Okay i should get serious. In the beginning, the strings play constant running notes with a sense of urgency, and the scary brasses play repeated rhythmic motifs. A sense of intensity has already been built up at the beginning, capturing the audience's immediate attention. I love the the brass rhythmic motifs!!(the very fast semiquavers. Or is it demi-semiquavers?)It gives a very transitional leading line and provides the piece with a strong directional movement. =) There are beautiful slow sections. I love how you make use sustained notes to create a sense of "far-far-away-ness", like an emotional desire venturing far and beyond! I never expected brasses can sound so....NICE. You're like Hans Zimmer! And then, you have thess slow sections. Slow and grand. One might expect that this portion will be more sentimental and "heartfelt" sounding, but unexpectedly, the tension from the first theme is still prominent, although not very obvious. It is like INNER tension! I really like this! A contrasting piece to your Adagio, in terms of musical qualities, Prince Max. -CJ
May 29, 201114 yr -- Emptied response due to construction reasons -- ;) Edited August 13, 20169 yr by phython
