May 31, 20169 yr Absolute baroque style. It's a pity we cannot see the score... I like it, there's a beatiful middle section (1:10....). What I'm not sure of is the tremolando in an organ (they seem very long sometimes). I think it's more typycal in the harpsichord.
June 1, 20169 yr It's so strange that people with no posts and no history and poor spelling show up here out of nowhere with suspect virginal accounts of their accomplishments and no score. It's always my first this, my first that. Call me a cynic but I don't buy it. Spammer. Edited June 1, 20169 yr by Ken320
June 1, 20169 yr I had not thought about it, but you're right Ken.... Coming from nowhere and without score... it could be plagiarism. I'll be aware.
June 1, 20169 yr Author I agree. My spelling is poor, because I don't speak English very well. I'm from Poland. Here are the scores.
June 1, 20169 yr Thanks, it's always a pleasure to see the score. I have only one suggestion: in some points (bar 17, left hand) there are impossible intervals. There you have 11th even 12th intervals. Perhaps some notes could be done by the right hand, but it is not written that way. With a pieno, using pedals perhaps is more suitable. I always try to write things that (I think) can be actually performed.
June 1, 20169 yr Author Yes, it's impossible to play. But when i was writing it (a long time ago) i didn't think about playing. Then i just wanted to write something.
June 1, 20169 yr Very nice for a first fugue. There are some hints of Bach's "Little" G minor fugue, not a bad source for inspiration since I personally consider that the most perfect fugue ever written.
June 2, 20169 yr 11 hours ago, Luis Hernández said: Thanks, it's always a pleasure to see the score. I have only one suggestion: in some points (bar 17, left hand) there are impossible intervals. There you have 11th even 12th intervals. Perhaps some notes could be done by the right hand, but it is not written that way. With a pieno, using pedals perhaps is more suitable. I always try to write things that (I think) can be actually performed. Luis, he didn't even sign the score. If you - or I - wrote a fugue, which is considered to be the metal of a composer's acumen in terms of counterpoint, we would post our real names, fully and accurately, and proudly, so that there would be no mistake. He sez it's an "old fugue" from his old fugue writing days I suppose. He's a charlatan. Pay him no more attention. Challenge him to produce more fugues if he's so glib.
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