January 16, 20206 yr Comments welcome. The work explores the possibilities of a 4 note motif -that is transformed throughout the entire work.
January 17, 20206 yr What I like most is how you build the part from m. 72 and the counterpoint afterwards.
March 14, 20206 yr Transition into 41 was nice, and I could have used a lot more of that smoothness throughout the rest of it, like the first transition; it felt a bit off to me. A little more rhythmic ambiguity ambiguity might be nice a la Bartok, since the syncopations there now I don't think quite get that effect.
March 14, 20206 yr Typesetting: Add rehearsal marks to your scores and have the bar lines go through the entire quartet. Also bracket the systems. Music: once again, very bartokian. Some great moments in here. Repeat meas. 120-121, then try inserting that at 127 up a Maj 3rd to really bring it together. Also, maybe at 130, the violoncello could go octavobasso to give it more range. My $0.02. BRAVO.
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