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Piano miniature


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  • 1 month later...

Nice!  I like the canonic imitation at 11 - 12.  I also like the waltz-like rhythms in 3 - 4.  Then, at 30 you once again use imitation between the left and right hand which I find interesting.  And, I like how in 33 - 34 you start the voices in canonic imitation to then bring them together at the interval of a 2nd.  Very interesting counterpoint there.  This is a very abstract/gesture-dependent style which I've sometimes written in myself although I haven't published any of that on here.  Thanks for sharing this cerebral piece!

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  • 4 weeks later...

This is awesome! By measure 33 - 34, as the voices converge at the interval of a second, we would encounter a dissonance that resolves yet doesn't quite settle, reminiscent of the neoclassical elements in Stravinsky. A lot of it is experimental, gestural stuff rather than conventional harmony and strict counterpoint. Can't wait to hear more from you.

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  • 3 weeks later...

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