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  1. So, I've made significant progress in this Gavotte over 5 days. This is how I've progressed over the past 5 days: Day 1: First Phrase melody and bass Day 2: Second Phrase melody and bass Days 3 and 4: Thinking about what to do for the B section, listening to more Baroque Suites, especially Gavottes, even playing some Gavottes on the piano Day 5: Third and Fourth Phrase melody and bass, First and Second Phrase countermelody Not all of my countermelody ideas worked out, but a few of them, like the inversion idea did work. One that didn't work out like I hoped is the suspension chain idea. I mean it kind of worked, but what I was going for was like an F# followed by an E or some other diatonic note in a suspension chain and only the F# suspension worked. I did get a chain of 2 suspensions with the C and B though, so not a total failure, just not what I was going for initially. I used another tied note to prevent parallel octaves and have a stepwise motion in bars 11 and 12. The countermelody I have though is just a draft and is unlikely to be the final countermelody when the Gavotte is finished. I was mainly going for a balance between leaps and steps, richer harmony, and no parallel octaves. And I made sure that if the countermelody got a ninth or further from the main melody, that it was at most an octave away from the bass. At first, I was a bit worried that I'd have to change the bass line, but somebody else told me that the motion of the left hand reminds them of the Baroque, so I've left the bass line as is. You can tell which line is the countermelody, because it has all the stems pointed down. I haven't decided yet if I'm going to double the Gavotte and have Gavotte II in G minor followed by a Da Capo to Gavotte I, but this Gavotte is going to be part of a suite. Here's my Gavotte as of now.
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