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  1. Hi, This is the newest movement of my orchestral project, Suite of Minimalism. I cannot decide if I am fully happy with it like the other two movements, and I would like your idea of how the ending could be improved, and if you guys even like it. Philip's Time Machine has some of my favorite moments of music I have written yet, but I can almost tell the second half of the piece sounds rushed. Maybe I am crazy though. If you guys agree and give me some pointers, I will probably spend more time working on it and be back here in another few weeks.
  2. It's interesting to study these dances, their rhythms, etc.... I wrote this just to learn. They don't follow the baroque rules about form or harmony. Some people ask me to write the chord names, so I leave them.
  3. From March to May, I was in hospital, seriously affected by coronavirus. I got it at work... In many senses, this changes you life. Three weeks in a coma is a peculiar experience. After being discharged I couldn't do anything (write, work, talk, etc....). This is the first thins I wrote, now I have ordered it and put it in a little suite. Many ideas were fragmented and simple. I friend of mine helped me with some titles and phrases... People who suffer from this at this level never recover at all.... But I'm alive, I'm lucky.
  4. Come critique me! This 10-minute piece is my 4th complete piece over the past year (ever) and is in 3 movements, which are shown in-video. Inspired by the mountains of the world, this piece is a way to express my love for nature and my desire to explore the world around me. Video :https://www.youtube.com/watch?v=1GcnyomDeMk&feature=youtu.be Score: https://www.dropbox.com/s/h1zs3c4acoxht17/Mountains_Suite.pdf?dl=0 Thanks to anybody who provides constructive feedback! (This was copy and pasted from a reddit post on r/composer, so excuse
  5. I started writing a suite for Solo Piano with the theme of 12 months of the year. I also am writing a poem related to each month as an epigraph for each movement. This first post will be about the January Movement. I do multiple things to get across the feel of January. Here is what I do and what it represents: Grace notes and staccato: Snowfall Slow tempo arpeggios: Walking through the forest Episodes of G minor and a single episode of C major: Lamentation, like "Oh, when will it warm up? It is so cold out here that I could freeze if I didn't have this coat on. I really ho
  6. This "Beginner's Piano Suite" marks my so-called '3rd Opus", which sounds so odd to say. (The idea of having an "Opus" sounds awful self-important to my ears, but at the same time, it gives a sense of beginning, middle, and end, and the thought of "I'm done with this, I'm moving on to something else" is liberating, so I really like that aspect of it!) Here's a little backstory. For one thing, I was tired of making pieces of piano music that were extremely difficult to play, and I have a fondness for pieces that are simple, straightforward, and "tell a story", so to speak. So I tried to tone do
  7. I have decided to make a progress post for my suite so that I can get feedback on each of the movements without having to make multiple posts. This starting post will be about the first movement of my suite. I initially planned for the melody to not be in ternary form while the harmony was in ternary form, but the melody ended up being in ternary form. I chose the key of G major because it sounds warm to me. To reinforce this, I decided on the instrumentation being string quartet + piano. I use a sequence to modulate from G major to D major as a transition into the B section. So, I guess you c
  8. This is a set of preludes I composed and recorded for the piano, and the set tells the narrative of a maritime journey, detailing the calm sea, the time spent on the ship, the lighthouse on land, the seabirds, and finally the port. I made these pieces the bulk of my newest album, and it can be found here. Thanks, and let me know what you think.
  9. I've posted these before but I though I'd share it again as I made some minor edits since it was last posted on some of them. This is a set of six pieces dedicated to my daughter that I wrote around the time she was born four years ago. The keys of the pieces (loosely) spell out her name. They have a pretty large range in terms of difficulty since I initially set out to write short simple pieces suitable for an intermediate level piano student but over time, they evolved to become more thematic in nature loosely depicting a childhood scene. Here's brief description of each one:
  10. Hey guys, sorry for not posting recently. I've just moved to start going to school for organ performance, but I've been getting back into composing over the past weeks. Here's a project I've started and finished during that time.
  11. I'm new to composing music the traditional way. I normally write music through MIDI sequencing in Cubase. I have done some tests with traditional notation in the past, but I think this score is my smoothest. I didn't know whether to post this in the large ensemble forum or the choral-vocal forum, but I thought it was safest to post it here. This is a suite for SATB and strings that I composed in Musescore. Although I did fly it into Cubase and made a more studio quality version.
  12. These are some pieces based on natural things that I see or imagine.
  13. This is what happens when you have to write daily pieces and you get bored with writing crap. I'm quite proud of this work, even though it may not be conventional in any sense of the word. I hope you enjoy this one!
  14. This is another little piece of the suit about my cat activities. This time about the hunting. Yes, I prevent them to do it, and kill little birds, etc... Nature. I've written more pieces but I won't upload them all. This is just one last example. It's funny to compose thinking of them.
  15. Hi I've been working on something simple but funny (for me). Inspired in the life of my cats, I'm doing a king of little suite for flute, clarinet and piano. The clarinet is not transposed in the score. Well, music for me is this, too... T I've written too pieces (working on more): Awakening: the moment when the all come back from the dreamworld. Purring: including the sound of Dexter.
  16. This is a little sketch that is not in any form or style. If anyone has suggestions and comments, please give them. Thanks! Revision notes: Thanks everyone for the comments. Here's the next edition of it. Again, I'll take any feed back -Thanks
  17. Hello everybody, I have finally finished my Suite ''Seizoenen'' for Solo Piano (Op.36). Dutch: Seizoenen = Seasons. Maybe you have already heard some movements, but I wanted to post the composition in its complete version. This composition is set in four movements each presenting a season. I tried to make my associations with the seasons as clear as possible. I. Winter (Winter): Presto animato. II. Lente (Spring): Allegro vivace. III. Zomer (Summer): Andante sognante. IV. Herfst (Autumn): Lento melancolico. My favorite movement is the Zomer, because for me the music
  18. Hi all, This is the third movement of the Seizoenen* Suite for solo Piano, which is called Zomer.** *Seasons. **Summer. The Summer is for me the period, when I can relax. In this period we namely have a long school break (6 / 7 weeks). I wanted to let this association with the Summer sound in the music. Feedback would be very nice! Maarten M.Bauer - Suite for Piano''Seizoenen'', Op.28 III. Zomer.pdf
  19. Hi all, I received some interesting feedback on my Melody for piano ''Winter''. One of the comments was by @Gustav Johnson. He encouraged me to compose a suite based on the seasons (Dutch: Seizoenen). The Suite is called Piano Suite ''Seizoenen.'' The Winter is the first movement and can be found here: http://www.youngcomposers.com/t34743/melody-for-piano-winter/#play.The Lente (Spring) is the second movement. I tried to imitate typical Spring elements, such as whistling birds and animals that wake up from hibernation. Feedback would be very nice! Kind regards, Maart
  20. Symphonic Suite No. 1 is a collection of pieces I originally composed during my time at the University of Michigan. I was constantly told by my good friends and Sinfonian fraternity brothers, Jamal Duncan, Armand Hall, and Damien Crutcher, to write for symphonic band. I eventually drew upon my time at my alma mater to compose for this idiom, which gave me my love for playing, my love for classical music, and my desire to compose. Chorale and Prelude was the last piece composed for this suite. It was originally written as my final-exam project in my Baroque counterpoint class with Kevin
  21. Here is my suite in nine-parts about Dante's Inferno and the circles of Hell he describes. I rewrote the entire suite, as I had previously written in only six days. Much of the suite is different, and this time I included a brief introduction about every piece and the suite as a whole to give you, the listener a better idea of what is going on. Let me know what you think!
  22. A suite made up of sketches 58, 62, and 78. I like this better than the first, personally, since I actually studied this type of music before these sketches, instead of mindlessly writing what I thought this type of music was. Enjoy!
  23. OK, this Suite has many more pieces, but to show what can be done with exotic scales (and much more if they were in the hands of an expert) this three (short) are enough. Jewish scale, Romanian scale, Harmonic-Ionian and Harmonic-Eolian scales, "Bizantina" scale, Lydian-eolian scale and Locrian (yes, it is present in our folk music). Some of them will semm odd to you. All are here:
  24. So instead of posting multiple threads, I just compiled them in a series.... More will be uploaded later...
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