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Found 3 results

  1. Hi, (this is about cinematic composing) I've been on many composer forums and I keep coming across this problem: - people underestimating the power of good sounding content or not being able to get the sound quality they want. so I'll give some tips on how to get this done: - where do I find good sounding sample libraries? I find the library's from heavyocity, output sounds, cinesamples and native instruments a good place to start. they are expensive though. they all require Kontakt 5. Don't underestimate free sample libraries. they might work just as good
  2. Hey all, So I'm on my last year or so of undergrad school, and that means that I'll be going through the the senior courses (no more 4 hour classes!), revamping resumes, my portfolio and expanding my internet presence. I'll also be proposing my (50's suspense music here) SENIOR PROJECT! In all seriousness though, i'm really excited! I've been looking forward to getting out there and starting to work with people in the real world. But enough of my ranting, time to present you guys with my proposal for my senior project! - A working VSI with the intent on it being useable in real world mock -
  3. I'm finding it hard to word this topic in paragraph form, so here are my questions in list form. -I hear some of composer X's work somewhere and really like it. -I want to draw from that style for my own compositions. -In particular I want to apply these styles in a cinematic way. (In the near future, I may get to score some student films.) -What is the best way to go about this? -Should I buy some scores and analyze them? -Are there particular analysis techniques that I should use for cinematic applications? -Should I write "practice compositions" where I attempt to duplicate the style
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