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I got the middle-gear version (39 euro/year) since it is said to manage up to 4 tracks, and I am mostly working on SATB choir scores or solo with piano accompaniment, every chord in the piano part is considered a separate track, so you quickly go over 4.... I was willing to update to the pro version (79 euros/year), but there was no way to pay the extra 40 euros. They did honor the cancellation with a full refund optio,n so I decided to explore the trial version since I had other concerns. The trial version is very limited. In particular, there is no saving, no editing, and it woudl play only 20 seconds.... I could not find any software that would perform better, so I pinched my nose and I bought the pro version. It is very cumbersome, in my opinion.

I enjoy the chromatism and dissonance. I have found a wide amount of dynamics used, it is neither so simple. I really enjoyed listening to this piece of music!

I declare my intent to participate in the competition (Copied from @Henry Ng Tsz Kiu hehe)

@PeterthePapercomPoser Reading through his comments, it appears to me that this individual is a sort of "stuck in their ways", "Nonchalant", "idgaf" sort of participant. While I know the personality, and what comes with it, being someone who is much like this himself, I still agree there's a specific mannerism that's requested of all forum participants. Unfortunately, we are not a Garage-Talk forum. We are a music theory, feedback and discussion forum. There are dedicated sub-forums for off-topic conversation, in which I am sure that this sort of mannerism would be acceptable. @Churchcantor

Very few composers really knew how to write for cello. Only a handful of famous composers even composed famous cello pieces. This will be an effort to bring more information to composers and hopefully have more memorable repertoire. Consider the cello as four instruments, the A string is somewhat harsh in the low positions but in the high positions, it soars like a soprano. It's somewhat oboe-like The D string is where most music intended to be played on the A string really is played as the notes are less harsh. The G string is the warmest and most soulful part of the cello, especially in a higher position. The C string is dark in the lower positions and almost comical up in the high positions, although it is scarcely heard. This string is quite like a bassoon along with the G string. This effectively makes the cello the most resonant in G keys. Double stops with open strings are most abundant in keys around G. for example, D is the only key where closed position triple-stops can be used somewhat freely (only major and minor chords are shown)

This is nice. I liked the barcarolle feel, wasn't so sure of the programmatic elements you said you added (like bar 10). I guess it came out of nowhere to me, or maybe it's just the midi. Speaking of... man, why do you use noteflight? And you have 0 dynamics! Your music would really sing and come to life if you would at least put some in. If mf throughout, note it? You could easily copy all your music from noteflight into Musescore or some other, any other notation software. I'm only saying this because you've mentioned you're pretty well off, in your 40's or 50's... if you're adamant about sharing your music with the world, why wouldn't you want to make it sound as good as possible? I mean, no judgement I guess, but Musescore is free. A few afternoons drinking ice cold refreshing thirst quenching brain livening body rejuvenating water along with smoking good old fashioned breathable crystal clear earthly air out of your pipe whilst typing them there notes in... and well, by golly you just might have some way cooler sounding music to share or enjoy yourself. Don't forget the dynamics 😄

Hi @Tunndy! I quite like the loud passage in 0:48. The sound in 1:18 doesn't sound realistic enough, though I love the effect there. The melody is quite memorable. Thx for sharing! Henry

Cool! I won't follow and make any template then since they make this fun comp less fun!

No - you can review the pieces the way you usually do. Or you can make a new template for yourself with completely different categories and on a completely different scale/point system. It's all up to you!

Do we have to follow this template when we review in order to have our reviews counted?

I have made a Competition Reviewing Template for those who want to review the pieces using the scoring definitions and categories mentioned above.

Audio + PDF score of what I've written so far OBOE.mp3

Added a mention of sexually explicit topics considered NSFW.

It isn't my forum. @chopin is the owner. But this code of conduct and forum etiquette was a staff creation. That means @chopin, me, @Henry Ng Tsz Kiu, @Thatguy v2.0, and @UncleRed99 were involved in its creation and we all agreed that it was necessary.

It isn't my forum. @chopin is the owner. But this code of conduct and forum etiquette was a staff creation. That means @chopin, me, @Henry Ng Tsz Kiu, @Thatguy v2.0, and @UncleRed99 were involved in its creation and we all agreed that it was necessary. Thank you for the compliment!

This is an informal competition. All the participants are free to judge the entries as they see fit. And if you review all the participants pieces in the competition you can get an "Ardent Reviewer" badge!

Review of Waltz in f minor: Melody: I love the charming, simple melody you have in the foreground. However...as a listener, it is bit repetitive. You have established basic idea from the start well. But, you need contrast against. The audience needs to go "awe" and be able to listen piece from start to finish. This is why we have melodic form and structure. It just needs to flow logically and have contrast. Furthermore, you don't normally see that rhythm pattern in waltz. It nice to hear something different, but it makes us wonder is this a waltz or something else. Reconsider that. At m. 21, those 16th might be too difficult for pianist to perform. I know you were trying use what chopin what would have use, but he was very talented, and pianist today...their hands hurt. Trust me. Harmony: through out the entire piece, the harmony does not adventure too far away from key. (i.e. mainly diatonic). I feel that it would be better if there were chromatism with harmony and the piece modulates. Form: I am not sure what form is...

I will have listen and look over this weekend and next week: and then write my review following that.

You know...I was just about to ask for this. LOL.

I am joining this competition: I can be a judge. 🙂

Entrance here. I am in.

I am still looking for a person that will help me with this lied, by the way.

Honestly, I do not know what exactly you are talking about. Time to sell the forum, if you yourself do not know what you are doing?🤣

I am just not going to understand your very ANAL of a way you manage your forum, Peter Paper, and you are a competent composer, but I just say what I mean, no narrative to fit.

Anyway, I think this piece I wrote more than half my life ago has some legs. Too much dissonance for my old age...😉