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Hello Marek Please don't despair or feel Broken hearted, for trying hard to make a composition be appreciated, for being Special . It is appreciated and special , because its Totally Unique, your the one who created it. Medicine can taste Horrible, and make you feel ill, but in the Long-Term, it can actually help. and its the same with advice from those who are qualified to give it ,and without payment required, so thats a good thing. This is your First Post, and it was good, but MK's advice can also lead you to better things in future posts , so please don't be too despondent There's even greater scores for you to discover , in your future compositions. i wish you luck. MK.............. Im pleased your post was recognized by PeterthePapercomPoser!

First of all, I want to thank you for the review. - "diminuendo al niente" is exactly what I was looking for, thank you 🙂 Fixing this will be laborious, but relatively simple. - theme - I thought I had a theme, but apparently not, since several people, including you, have confirmed that they didn’t recognize it. This will be difficult to fix, as it disrupts the overall flow and feel of the piece. Actually, I’ll have to redo the whole thing. - accompaniment - This is my nightmare; I’m still struggling with it. Personally, I can’t stand whole notes anymore, but so far I haven’t been able to come up with anything interesting. In any case, thanks again, your review really helped me 🙂 Translated with DeepL.com (free version)

Hey all, Just wanted to let you know my new album "Seize The Night", full of gothic orchestral film music goodness is out on all major music platforms today and the solo cello is played by Grammy-nominated cellist Chloe Mendola (Trans-siberian orchestra, Michael Buble) You can check out a video performance of Chloe playing my piece "The Change" below, along with recordings of "Once Upon A Nightmare", which opens the album and Bloodborne fans will probably enjoy and "Sweet Home Salem", which is the most cello-driven piece on the album. Listen to the rest on Spotify! Hope you all enjoy it and thank you for listening!

Hello again! I just finished my comments and am eager to share. Please find this PDF for your convenience! Go to the end of the score to see the final comments. May anyone else on this thread also consider checking out the comments and share your thoughts! M. Neupauer - The Great Lighthouse (ANNOTATED).Pdf

I was listening to Beethoven’s Diabelli Variations again after quite some time, and I’ve become convinced that, personally, I believe it might be the greatest work ever written for the piano. It filled me with such excitement and inspiration that I sat down at the piano and wrote a variation of my own. Knowing the story behind this theme—that about fifty composers each wrote a variation on it—it felt like a great opportunity to test myself as well. Because of my enthusiasm, in a single sitting of about half an hour I improvised and came up with this charming figurational variation. I hope you enjoy it and appreciate it.

In this case it was about orchestrating the sketch in the image; I might even make a collection of mini orchestral studies with these kinds of things.

I had used musecore to compose this, but I didn't have my headphones plugged in, no audio was coming out of my pc while in the making I think the melodies make more sense than I expexted them, though I would've made the piece faster with richer harmonies if I had done this again

Thirty years ago, I was an accordionist. Now I’m just a hobbyist. Feel free to leave any comments, they might not be so obvious to me 🙂

Yes you are right. I am in the process of writing more variations and have already released a Scherzo on 8 of these themes (I had to keep adding themes LoL). Thanks for your interest/comment!

Yes i understand , but your First line of post states: "I made these 13 mock-ups on 13 themes from Final Fantasy VI intending to use them to familiarize myself with the themes in preparation for writing a big variations piece based on them" So i therefore assumed, you were going to take this project even further , by releasing an Original Composition, some time in the Future.

thank you! I just wanted to make sure that you and everyone knows that these are not my original compositions but covers/renditions/mock-ups of Nobuo Uematsu's original music for the game Final Fantasy VI - he's a Japanese composer.

The Dynamics adjustment to Save them ! Has resulted in a Lovely SMOOTH sound. Troops March On & Save Them ! , Combined & Interwoven has all the elements to a 1st Class Original Composition,sounding Pretty , Mainstream- Contemporary-Scored.

A short song I wrote in two days. Do you guys have any critique on any "breathing issues" that may arise? Also do you think it ends too abruptly, or is it okay for a short piece? Though it's mostly classical, do tell me if it works in your opinion. Note: I usually sing my own songs if I can--but this one was way too difficult for my cigarette-smoking, untrained throat to handle XD. So I used an AI-based vocaloid sort of. (Yeah, I kind of feel guilty for using an AI vocaloid, but everything else just sounds so trash, I wanna tear my hair out. Sorry ;_;)

Not a bad little exercise! May I ask how you feel about it, or what the process was like for you? (Did you use a piano or keyboard instead? Write it out on manuscript paper first? etc.)

Hey! I feel like I am called to reply as I too just published (on this site) a piece about the Ocean. While not directly similar, I find the coincidence of seeing another work detailing a small part or structure of the sea too good to not look at! I have a few things to say about the score: Engraving, orchestration, and motif usage. I have downloaded the score off musescore and am currently writing annotations on the work. I will share my annotations in a separate comment. However, for my own knowledge, can I ask how far you are in music? Are you a pianist, woodwind, brasswind player, etc? Are you experienced in theory, orchestration,etc? Just looking to know about your background as I wish to avoid possible obvious comments. 🙂

Just have to fill in the development; enough for now! Especially with Noteflight's enharmonic errors when transposing! Edit: first movement done, but I'll probably have a couple changes!

I have just updated the track "Save Them!" to be more complete and correct - I had originally transcribed it slightly incorrectly and left some things out. I also corrected some dynamics so that the Violas can be heard. Thanks for listening!

Piano Sonata in A Minor-I Free Sheet Music by Robert C. Fox for Piano/Keyboard | Noteflight Not finished, but the introduction and exposition, without all the notes filled in! It's interesting so far...😆 Edit: have the exposition.

Can you clarify what you mean by “constant mixolydian C natural throughout the piece”? It goes over my head, do you mean stay in G major and go back at b.126?

Thank you for the review. I definitely will revisit those E's and I may change the accent.

Hello everone 🙂 My first post here is part one of larger composition I am currently working on. The composition is called The Great Lighthouse and is inspired by Christopher Paolini's book Fractal Noise. Part one is written in largo - A minor and is called Discovery. Please enjoy and any feedback would be appreciated 🙂 Musescore: https://musescore.com/user/60829534/scores/32485457

Back to Back A:- John Williams : Superman / Jurassic Park | Movie Rendition Jerry Goldsmith : Total Recall | Movie Rendition B:- John Williams : Indiana Jones | Movie Rendition Brad Fiedel : Terminator 2 | Movie Rendition Jerry Goldsmith : Judge Dread | Movie Rendition John Williams - Superman - Jurassic Park - Jerry Goldsmith - Total Recall. Movie Rendtions.mp3 John Williams - Indiana Jones - Brad Fiedel - Terminator 2 - Jerry Goldsmith - Judge Dread .mp3

In modern staff positioning, the choir is above the orchestra. Alo, put phrase markings on the woodwinds. Your recording is playing it legato but they won't read it that way. Also, in real time, reading one line(alto) in the choir with flats and sharps like that is a huge cognitive dissonance Since it is descending, make that G# Ab. You are already showing Db or Gb in that phrase. That augmented 2nd is the devil in the Soprano part. Make that Eb instead of D#. Gb is cool, F# is the bane of our existence. OF COURSE, we can read in F# major, but no wants to. Gb is better. Lastly, you can break the rule in the last measure. Instead of having the mezzos go higher,swap with the sopranos. Love the piece.

There's some great stuff here. I urge you to listen to the aforementioned. There is GREAT advice given!

I thought I'd share this short prelude I started last year and finished soon after (which I originally intended to use for Valentines' Day this year, but alas...). I haven't been writing much new stuff and am currently working on fixing up a few of my older compositions so this was one of the few things I did manage to conjure up in the past few months. I hope it's listenable? (as for playability, arpeggiating large chords is a must, haha)