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I wrote this for a composition assignment in which we were tasked with writing a twelve-tone piece for 2 instruments. For this piece I utilized five permutations of the original row. I've attached the score, which right now is simply the notes- it doesn't contain any dynamics or articulations. I'm still very new to twelve-tone technique, so I'm not sure I have the twelve-tone sound in my ears yet, but if anyone here has experience with twelve-tone technique I would greatly appreciate your thoughts on how I did!

OMG It's so familiar.... Perhaps it's a Mediterranean tune... Keep searching.

I apologize for the mess! In fact, I also wrote for clarinets. I suppose many people write straight in transposed pitch. But I'm not that professional... I know it's very important for players to write in transposition, but it's easier (for me) to compose in concert pith and transpose when finished). Anyway, your piece is fine and beautiful. I don't think one must follow strictly the "rules" of dodecaphony or whatever. I see atonalism as a tool and I use it in many ways: nearly tonal, totally atonal... The fact is that if this is an exercise on atonalism, perhaps you are asked to treat the score more in the style. Otherwise, it is good... Greetings!

Alright good- I don't play clarinet so for a second there I thought I'd transposed it wrong!