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Showing content with the highest reputation on 03/11/2015 in all areas
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I'll force myself to say only this: if you want to spend this much time obsessively repeating a single technique, it had better be something that actually produces real music, rather than the "rules of counterpoint" from Gradus ad Parnassum, which no "master" has ever abided by.1 point
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I write in concert pitch then in the end have Finale transpose it for me in the final score.1 point
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If it's Dorian, which it looks like, how could it start on a G and a D? If you follow through the rest of the cantus, it doesn't make sense to start on a "G chord". Examples like that pretty much always start and end in the same 'key'.1 point